The Hollow Ends's ' "The Ones to Blame" was released on its scheduled release date, June 12, 2015. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. The Ones to Blame's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "The EP". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, The Ones to Blame's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Ones to Blame by The Hollow Ends having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| City Lights | The Hollow Ends | F♯ Minor | 3 | 11A | 130 BPM | ||
| My Travelog on Globalization and the Human Experience | Trashbag Ponchos | A Minor | 7 | 8A | 116 BPM | ||
| Cut | Clyde and the Milltailers | D♭ Minor | 4 | 12A | 102 BPM | ||
| Lazy | Cosmic Orphan | E Major | 5 | 12B | 158 BPM | ||
| There Ain't No Scale On The Whale | Matt Finn | D♭ Major | 5 | 3B | 108 BPM | ||
| Encore | The Hill Country Devil | E Major | 4 | 12B | 117 BPM | ||
| Stoned and Lonesome | Clyde and the Milltailers | D♭ Minor | 4 | 12A | 102 BPM | ||
| Warriors of Light | Rail Yard Ghosts | A Minor | 5 | 8A | 126 BPM | ||
| Rock Bottom Has Never Felt so Good | The Sam Chase | E Major | 6 | 12B | 99 BPM | ||
| Hollywood Is Burning | Kevin Sloan, Ryan Gebhardt | C Major | 1 | 8B | 117 BPM | ||
| Not Even Close | Kid Reverie | F Major | 3 | 7B | 100 BPM | ||
| Like This | BlueRaspberry | E Major | 7 | 12B | 143 BPM | ||
| 3:30 In The Rain | MIK's Reaction | A Minor | 5 | 8A | 82 BPM | ||
| Pills Beneath Her Pillow | Possessed by Paul James | C Minor | 3 | 5A | 102 BPM | ||
| mirror gazed and confused | Casey Hiatus | G Minor | 3 | 6A | 72 BPM | ||
| Pay no mind | Stagg & Collins | G Major | 6 | 9B | 133 BPM | ||
| Black List | The Hollow Ends | A Major | 6 | 11B | 87 BPM | ||
| Kids at Play | Blackwater Railroad Company | C Major | 3 | 8B | 102 BPM | ||
| Wham-bam I'm a superman | Simeon Ball, Chris Judd | A Major | 6 | 11B | 93 BPM | ||
| Bears in Mind | The Hollow Ends | F♯ Minor | 3 | 11A | 130 BPM | ||
| High O Mountain | Intuitive Compass | C Minor | 8 | 5A | 146 BPM | ||
| Don't Look At Me | Tatiana Bookbinder | A Minor | 3 | 8A | 123 BPM | ||
| A farm | Gwanbati | D Minor | 5 | 7A | 98 BPM | ||
| Heaven | Mark Belgum | A Major | 4 | 11B | 77 BPM | ||
| The Prettiest Girl in Hell | Easy Mark | A Major | 7 | 11B | 112 BPM |