On November 19, 2019, the song "chandaliyo hend utavlo" was released by Rajal Barot. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. chandaliyo hend utavlo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "rajal barot no rang". In this album, this song's track order is #17. Furthermore, we believe that the track originated from India. Based on our statistics, chandaliyo hend utavlo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With chandaliyo hend utavlo by Rajal Barot having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vraj Mane Kon Lai Jai | Birju Barot | A Major | 8 | 11B | 85 BPM | ||
| Khamma Khamma Khodal | Kirtidan Ghadhavi | B Minor | 5 | 10A | 90 BPM | ||
| Vala Tari Lila | gaman santhal | F Minor | 7 | 4A | 95 BPM | ||
| Dwarika No Naath | Rajal Barot | B♭ Minor | 9 | 3A | 154 BPM | ||
| Madi tara ucha mandir nicha mol | Rushabh Ahir, Santvani Trivedi | D♭ Major | 7 | 3B | 156 BPM | ||
| Avi Suni Deline Suna Dayara | Chetan Prajapati, Rajal Barot | A Major | 10 | 11B | 103 BPM | ||
| Le Farrra Fudadi | Bhavana Panchal, Rajal Barot | A♭ Minor | 6 | 1A | 47 BPM | ||
| Mane Parani Ne Lai Ja Tara Malak Ma | Kaushik Bharwad, Tejal Thakor | A♭ Major | 10 | 4B | 170 BPM | ||
| Pardesh Jaine Bhuli Na Jato | Kamlesh Barot | F Minor | 10 | 4A | 57 BPM | ||
| Kashtbhanjan Dev Satya Chhe | Jemish Bhagat | E♭ Major | 8 | 5B | 110 BPM | ||
| Prem Kari Ne Pachtani | Ashok Barot, Rajal Barot | A♭ Minor | 6 | 1A | 47 BPM | ||
| Malso to Maja Aavse | Rakesh Barot | B Minor | 9 | 10A | 52 BPM | ||
| Char Char Dham Ni Dasha Ma Ni Aarti | Pravin Luni, Rajal Barot | C Minor | 10 | 5A | 95 BPM | ||
| Man Mein Basa Kar Teri Murti | Upasana Mehta | D♭ Major | 8 | 3B | 140 BPM | ||
| Dj Dheladi | Nitin Barot, Kavita Das | D♭ Major | 10 | 3B | 120 BPM | ||
| Tame Lajavab Cho | Kajal Maheriya | A♭ Minor | 5 | 1A | 75 BPM | ||
| Thakar Na Chakar | Rakesh Barot | B♭ Major | 10 | 6B | 92 BPM | ||
| Meladimaa Dukh Dur Karase | Nitin Barot, Kajal Maheriya | E Major | 9 | 12B | 120 BPM | ||
| Maa Taro Hath Mara Mathe Rakhje | Jignesh Barot, Rakesh Barot, Maheshsinh Solanki | A Minor | 8 | 8A | 142 BPM | ||
| Bobe Bole Madharo Mor | Chetan Prajapati, Rajal Barot | F♯ Minor | 8 | 11A | 120 BPM | ||
| Uncha Uncha Bangla Banavo | Sadhana Sargam | D♭ Minor | 6 | 12A | 178 BPM | ||
| Lili Lemdi Re | Kiran Gadhvi | A♭ Major | 9 | 4B | 114 BPM | ||
| Nadi Kinare Nehado | Rajal Barot, Jignesh Kaviraj | D♭ Major | 9 | 3B | 57 BPM | ||
| Vijline Chamkare Motida Parovo | Lalita Ghodadra | G Minor | 6 | 6A | 99 BPM | ||
| Parki Potani Na Thay | Dilip Thakor | B♭ Minor | 8 | 3A | 150 BPM |