"Strange Fate" by Laurent Ziliani, Thomas Parisch had its release date on November 14, 2012. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Strange Fate's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 151 in the song's album "Resident Evil 6 Original Soundtrack". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Japan. Strange Fate is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strange Fate by Laurent Ziliani, Thomas Parisch having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bank Job: Suspense | Daniel Licht | C Major | 6 | 8B | 110 BPM | ||
| Endless Pain | Harry Gregson-Williams | D Major | 4 | 10B | 160 BPM | ||
| Scourge of the Snowhead Temple "Goht" | Kassil | D Minor | 3 | 7A | 105 BPM | ||
| Hidden Flaws | David Buckley | B♭ Major | 1 | 6B | 120 BPM | ||
| Prophecy | David Buckley | D Major | 5 | 10B | 150 BPM | ||
| sa your | オレンジかもしれない | B Minor | 4 | 10A | 82 BPM | ||
| Trouble with Women | Capcom Sound Team | D Minor | 1 | 7A | 79 BPM | ||
| Sacrifice | 大本望美 | B♭ Minor | 5 | 3A | 83 BPM | ||
| Hide and Seek | 堀諭史 | D♭ Major | 1 | 3B | 144 BPM | ||
| Last Judgment | 中島健太郎 | C Major | 7 | 8B | 150 BPM | ||
| Birds Attack | Charlie Clouser | D♭ Major | 7 | 3B | 164 BPM | ||
| Transcendental Mournings | Akira Yamaoka | B♭ Minor | 2 | 3A | 70 BPM | ||
| Atmosphere -The Nest- | Brian D'Oliveira | G Minor | 1 | 6A | 88 BPM | ||
| Nibel Region - FF7 Rebirth OST Ver. | 植松 伸夫 | B Minor | 4 | 10A | 82 BPM | ||
| Floating In-Between | Miwako Chinone | F♯ Major | 0 | 2B | 73 BPM | ||
| The Dawn of Waltz | 大本望美 | C Minor | 1 | 5A | 68 BPM | ||
| The Cavern Sewers - Tomb Raider Suite Synth Mix | Nathan McCree | B Major | 3 | 1B | 110 BPM | ||
| Sneaking in the Backyard | Kaptain, Thomas Parisch, Laurent Ziliani | C Minor | 1 | 5A | 113 BPM | ||
| Floating Nightmare | Laurent Ziliani, Thomas Parisch | G Major | 5 | 9B | 115 BPM | ||
| Fmv Intro | Peter Connelly | A Major | 2 | 11B | 113 BPM | ||
| Lab of the Damned | Zhenlan Kang | C Minor | 1 | 5A | 77 BPM | ||
| Bring Her Back to Me | Ron Fish | B♭ Minor | 7 | 3A | 124 BPM | ||
| Hybrid | Stephor Shpandau | D♭ Major | 5 | 3B | 157 BPM | ||
| Bring Back Our Messiah! | Samuel Laflamme | D♭ Major | 9 | 3B | 160 BPM | ||
| Darkest Hour | Jason Solowsky | D Minor | 4 | 7A | 100 BPM |