"Hari Dhwani - Raga Lalit - Alap (Sthai)" by Hariprasad Chaurasia, Rakesh Chaurasia, Rupak Kulkarni had its release date on February 26, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hariprasad Chaurasia's "Hari Dhwani - Raga Lalit" album is number 1 out of 5. On top of that, India appears to be the country where this track was created. Hari Dhwani - Raga Lalit - Alap (Sthai) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hari Dhwani - Raga Lalit - Alap (Sthai) by Hariprasad Chaurasia, Rakesh Chaurasia, Rupak Kulkarni to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Namah Shivaya | Benjy Wertheimer | A♭ Major | 1 | 4B | 115 BPM | ||
| Kinwani | Traditional, Hariprasad Chaurasia, Shivkumar Sharma | D Minor | 8 | 7A | 156 BPM | ||
| Pahadi Dhun | Traditional, Ronu Majumdar | A Major | 5 | 11B | 95 BPM | ||
| Raga Alapana - Version 2 | T. R. Mahalingam, L. Subramaniam | C Major | 0 | 8B | 131 BPM | ||
| Raghupati Raghav Rajaram | Subham jossi, Jeetu Bhowmik | D Major | 1 | 10B | 71 BPM | ||
| Shiva, Shiva, Shiva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | D♭ Major | 2 | 3B | 127 BPM | ||
| Song of Praise (feat. Shillong Chamber Choir) | Naveen Kumar, Shillong Chamber Choir | E Major | 4 | 12B | 173 BPM | ||
| Raga Durga | Hariprasad Chaurasia | F♯ Major | 5 | 2B | 129 BPM | ||
| Ganpati Vighnaharan | Ganesha Bhajans | D Minor | 2 | 7A | 209 BPM | ||
| Raga Bhairavii: Baju Band Khul Khul Jani | Shruti Sadolikar | D♭ Major | 2 | 3B | 100 BPM | ||
| Raga Purvi | Kala Ramnath | D♭ Major | 5 | 3B | 105 BPM | ||
| Raaga Charukeshi Composition in Madhya Laya Teentaal | Imran Khan | D Major | 4 | 10B | 124 BPM | ||
| Bhagyada Lakshmi Baaramma - Madhyamavati - Adi Tala | Kadri Gopalnath, Pravin Godkhindi | B♭ Minor | 9 | 3A | 82 BPM | ||
| Jhalak (The Glimpse) | Abhijit Pohankar, Hariprasad Chaurasia | B Minor | 4 | 10A | 75 BPM | ||
| Bhajan de Mira : Raga bhairavi | Lakshmi Shankar | E Major | 0 | 12B | 140 BPM | ||
| Tanpura in A | East West Beats | E Major | 0 | 12B | 106 BPM | ||
| Tanpura Drone in B (Bordone in SI) | Bagno Armonico | E Major | 0 | 12B | 100 BPM | ||
| Alhaiya in France | Niladri Kumar | A♭ Major | 4 | 4B | 75 BPM | ||
| Ras Ke Bhare | Girija Devi | D Major | 5 | 10B | 71 BPM | ||
| Yoga: Enjoining with the One at 432 Hz | Rakesh Chaurasia | E Major | 1 | 12B | 103 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Sitar Meditation | Mantra Live, Glenn Sharp | F Major | 0 | 7B | 85 BPM | ||
| Flute of Soul - Krishna flute | Jeetu Bhowmik | B♭ Major | 0 | 6B | 101 BPM | ||
| Sarod Todi Alap | Bapu Padmanabha | B Major | 2 | 1B | 115 BPM | ||
| Raga Tilak Kamod | Gajanan Madhav Karnad | E Minor | 7 | 9A | 128 BPM |