Anelda Spence, Primetime Tracks's 'Day 15' had a release date set for November 9, 2022. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Day 15's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Dark Minimal Builds , Vol. 3 by Primetime Tracks. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Day 15's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Day 15 by Anelda Spence, Primetime Tracks is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fang and Scale | Keiji Inai | F♯ Major | 7 | 2B | 103 BPM | ||
| Carry Chavez Out | Max Richter | G Major | 6 | 9B | 120 BPM | ||
| Desert Walk | Tyler Bates, Joel J. Richard | C Major | 5 | 8B | 160 BPM | ||
| He Is out There | Finishing Move Inc. | E♭ Minor | 5 | 2A | 108 BPM | ||
| 17 Years Later | Tyler Bates, John Swihart | F♯ Minor | 5 | 11A | 80 BPM | ||
| Infiltration | Sarah Schachner | D Major | 2 | 10B | 119 BPM | ||
| Tensions Run High | Soundridemusic | D♭ Major | 2 | 3B | 160 BPM | ||
| Derin Aksiyon | Cem Kısmet - Pilli Bebek | E Minor | 3 | 9A | 179 BPM | ||
| The Orb | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Colloseo | Rich Douglas | G Minor | 3 | 6A | 160 BPM | ||
| Fission Code | Love and Deepspace | G Major | 7 | 9B | 120 BPM | ||
| I’m Not Asking | Hampus Naeselius | A♭ Major | 3 | 4B | 65 BPM | ||
| An Exceptional Child | Yuki Hayashi | D Minor | 3 | 7A | 139 BPM | ||
| Redial | Clinton Shorter | B Minor | 3 | 10A | 130 BPM | ||
| Oceans of Time | John D. Boswell, Melodysheep | A♭ Major | 3 | 4B | 83 BPM | ||
| AUG I | 岩崎琢 | D Major | 3 | 10B | 163 BPM | ||
| Kū Mai Ka Manō | Hans Zimmer, James Everingham, Kaumakaiwa Kanaka'ole, Paula Fuga | E Minor | 1 | 9A | 83 BPM | ||
| Merchant of Death | Soundscape | F Major | 9 | 7B | 137 BPM | ||
| Slammer | Jamin Winans | B♭ Major | 6 | 6B | 100 BPM | ||
| Where Are You, Mother | Guillaume Houzé | A Minor | 2 | 8A | 105 BPM | ||
| Ambush by Cutthroats | Sarah Schachner, Assassin's Creed | A♭ Major | 7 | 4B | 105 BPM | ||
| Chaos Field | Wuthering Waves, 任麒霖 | E Major | 3 | 12B | 172 BPM | ||
| Satiate | Kevin MacLeod | D Major | 3 | 10B | 90 BPM | ||
| Suspense | Toneloom | D♭ Major | 6 | 3B | 109 BPM | ||
| Very Snakey | David Fleming | D♭ Major | 1 | 3B | 85 BPM |