On 2004, the song "Last Train To Memphis" was released by Bobby Charles. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Bobby Charles's "Last Train To Memphis" album is number 1 out of 34. On top of that, United States appears to be the country where this track was created. Based on our statistics, Last Train To Memphis's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Last Train To Memphis by Bobby Charles to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ashes of Love | Amazing Rhythm Aces | E Major | 2 | 12B | 172 BPM | ||
| The Most Unoriginal Sin | John Hiatt & The Goners | D Major | 6 | 10B | 81 BPM | ||
| Crapped Out Again | Keb' Mo' | E Major | 4 | 12B | 202 BPM | ||
| Waynesboro | Ramsay Midwood | B♭ Minor | 6 | 3A | 118 BPM | ||
| Leavin' On My Mind | Hacienda Brothers | C Major | 7 | 8B | 174 BPM | ||
| I Married Her Just Because She Looks Like You | Lyle Lovett | B♭ Major | 3 | 6B | 111 BPM | ||
| Standing In My Shoes | Leo Kottke | C Major | 5 | 8B | 82 BPM | ||
| Rich Man's World | Eilen Jewell | C Major | 7 | 8B | 107 BPM | ||
| Tell Moses | Colvin & Earle | G Major | 8 | 9B | 145 BPM | ||
| So Swell When You're Well | James Booker | B♭ Major | 7 | 6B | 136 BPM | ||
| Travellin' Light | Peter Case | G Major | 8 | 9B | 179 BPM | ||
| Down to Seeds and Stems Again | Bill Kirchen | G Major | 6 | 9B | 116 BPM | ||
| Promised Land | Johnnie Allan | C Major | 7 | 8B | 172 BPM | ||
| I Don't Want Love (feat. Brian Setzer) | Dan Hicks & His Hot Licks, Brian Setzer | G Major | 6 | 9B | 122 BPM | ||
| Do Right Woman, Do Right Man | Dan Penn | A Major | 2 | 11B | 121 BPM | ||
| Farewell Blues | Luke Winslow-King | D Major | 3 | 10B | 87 BPM | ||
| Get Up, Get Ready | Terry Evans | D Major | 3 | 10B | 130 BPM | ||
| Wildflowers | Chris Hillman | E Major | 5 | 12B | 101 BPM | ||
| Strange Conversation | Ted Hawkins | C Major | 5 | 8B | 174 BPM | ||
| Now It's Now Again | The Flatlanders | D Major | 4 | 10B | 96 BPM | ||
| Henhouse | Ray Wylie Hubbard | D Major | 7 | 10B | 127 BPM | ||
| Mean Old Lonesome Train | Sue Foley | C Minor | 4 | 5A | 146 BPM | ||
| Steel Guitar | Danny O'Keefe | F♯ Major | 7 | 2B | 129 BPM | ||
| I've Been To Memphis | Lyle Lovett | A Major | 3 | 11B | 172 BPM | ||
| Song for Katrina | Steve Forbert | A♭ Major | 6 | 4B | 172 BPM |