"Lastdays" by Francesco Tristano had its release date on November 15, 2010. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Francesco Tristano's "Idiosynkrasia" album is number 6 out of 9. Lastdays is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lastdays by Francesco Tristano to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
| Goyescas (Suite), No.4: Quejas (o la maja y el ruiseñor) | Enrique Granados, Andrés Navarro | B Minor | 0 | 10A | 61 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Prelude & Fugue: Prelude | Friedrich Gulda, Francesco Tristano | E♭ Minor | 4 | 2A | 115 BPM | ||
| Handel: Keyboard Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Purcell: Come, Ye Sons of Art Away, Z. 323: Sinfonia (Arr. Diluka for Piano) | Henry Purcell, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Ciaccona (BuxWV 160) | Dietrich Buxtehude, Francesco Tristano | E Minor | 1 | 9A | 136 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
| Radiohead: Like Spinning Plates | Anastasia Kobekina, Jean-Sélim Abdelmoula | D♭ Minor | 0 | 12A | 77 BPM | ||
| Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
| La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
| Handel: Keyboard Suite in G Minor, HWV 434: IV. Menuet (With Alternate Kempff Version) | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Albumblatt In E Minor, Op.117, MWV U134 | Felix Mendelssohn, Daniel Barenboim | E Minor | 1 | 9A | 68 BPM | ||
| Talking to my Father | Hauschka | A Minor | 0 | 8A | 126 BPM | ||
| Sonata in D Minor, Kk.141 | Domenico Scarlatti, Alexandre Tharaud | D Minor | 3 | 7A | 140 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Xokolad | Francesco Tristano | D♭ Major | 5 | 3B | 122 BPM | ||
| Busoni: Elegien: No. 7, Berceuse | Ferruccio Busoni, Bertrand Chamayou | C Major | 0 | 8B | 68 BPM | ||
| Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Racha Arodaky | D Minor | 4 | 7A | 132 BPM | ||
| Bokeh Tomorrow (feat. Hiroshi Watanabe) | Francesco Tristano, Hiroshi Watanabe | G Minor | 5 | 6A | 76 BPM | ||
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| Gnossienne No. 3 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 69 BPM | ||
| Preludes, Op. 28: No. 15, Sostenuto in D-Flat Major | Frédéric Chopin, Justin Taylor | D♭ Major | 0 | 3B | 72 BPM |