Ajeet Kumar Kadkade's ' "Narsobachya Vadeela" was released on its scheduled release date, April 18, 1996. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 3 out of 8 in Dutt Murve Mhana by Ajeet Kumar Kadkade, Anuradha Paudwal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Narsobachya Vadeela's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Narsobachya Vadeela by Ajeet Kumar Kadkade is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Suno Suno Re Nagarbasi | Satsangee, Sandeep Mohanty | D♭ Major | 7 | 3B | 146 BPM | ||
| Gokulat Nandaghari | Usha Mangeshkar | B♭ Major | 8 | 6B | 91 BPM | ||
| Yati Kul Majhe Gele Harvuni | Godavaribai Munde, Rameshbuva Shegaonkar | A Major | 5 | 11B | 84 BPM | ||
| Aarti Gyanraja | Ajeet Kumar Kadkade | A♭ Major | 7 | 4B | 104 BPM | ||
| Kithapathi | Shivarudriaha Gowd, Sidrama Patil, Siddanna Desai | A Major | 3 | 11B | 176 BPM | ||
| Anadi Me Anant Me | Bharat Balvalli | D♭ Major | 6 | 3B | 140 BPM | ||
| Avghe Garje Pandharpura | Kashirambuva Indolikar, Digambar Kute | F Minor | 7 | 4A | 97 BPM | ||
| Ya Ho Ya Ho Swami | Sadhana Sargam | F Major | 5 | 7B | 150 BPM | ||
| Shree Dattacha Palna | Uttara Kelkar | E Minor | 5 | 9A | 87 BPM | ||
| Muktaai Prashasti - From "Sant Dnyaneshwaranchi Muktaai" | Nutan Parab, Vrunda Gandharvasakhyam, Dr. Shrihari Gokarnkar, Prof. Pranjal Akkalkotkar | A♭ Major | 7 | 4B | 63 BPM | ||
| Vaara Banthu | Puttur Narasimha Nayak | F♯ Major | 3 | 2B | 90 BPM | ||
| Kunacha Mi Kon Radhe | Surykant Shinde | E♭ Minor | 8 | 2A | 92 BPM | ||
| Datta Digambara Yaho | R.N. Paradkar | F Major | 6 | 7B | 94 BPM | ||
| Akalkoticha Swami Tu | Mahendra Warekar, Ravindra Sathe | C Major | 6 | 8B | 100 BPM | ||
| Adhi Mann Ghei Haati | Vishnubua Vavnjekar | F Minor | 7 | 4A | 93 BPM | ||
| Vithaai Saavale | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Rakhuma Majhi Perni Kari | Vishnubuva Wavanjekar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Swwami Kripa Kadhi Karnaar | Ajeet Kumar Kadkade | B♭ Major | 6 | 6B | 103 BPM | ||
| Kakhan Harab Dukh Mor,He Bholanath | Sarda Sinha | A♭ Major | 3 | 4B | 112 BPM | ||
| Aathang Sagar Karunecha Shree Swami Samartha | Jitrandra Abhyankar | D♭ Major | 5 | 3B | 90 BPM | ||
| Savale Parabrahma Aavade - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Swami Samarth Ashtak | Nirupama Dey | E♭ Major | 3 | 5B | 157 BPM | ||
| Naam Aahe Aadi Anti | Suman Kalyanpur | E♭ Major | 4 | 5B | 143 BPM | ||
| Durgechi Aarti | Yeshwant Kothambikar | A♭ Major | 6 | 4B | 145 BPM |