"Victor Visits" by Harry Gregson-Williams had its release date on May 5, 2009. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Victor Visits's duration is considered a little bit shorter than the average duration of a typical track. This song is part of X-Men Origins: Wolverine (Original Motion Picture Soundtrack) by Harry Gregson-Williams. The song's track number on the album is #6 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Victor Visits's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Victor Visits by Harry Gregson-Williams has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Victor Visits being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Creatures | Marc Streitenfeld | A Minor | 4 | 8A | 110 BPM | ||
| The Riders of Rohan | Howard Shore | G Major | 3 | 9B | 171 BPM | ||
| Bumblebee Captured | Steve Jablonsky | D Minor | 2 | 7A | 82 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| Eloi | Klaus Badelt | B Minor | 1 | 10A | 91 BPM | ||
| My Favorite Day | Geoff Zanelli, Jon Brion | C Major | 1 | 8B | 82 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Fate Has Smiled Upon Us | Marc Streitenfeld | E Minor | 4 | 9A | 91 BPM | ||
| The Baudelaire Orphans | Thomas Newman | D Minor | 0 | 7A | 123 BPM | ||
| Coastal Vivarium | J Scott Rakozy, Hogwarts Legacy | C Major | 3 | 8B | 75 BPM | ||
| Jugglers | Javier Navarrete | G Major | 1 | 9B | 139 BPM | ||
| Clary's Theme | Atli Örvarsson | D Minor | 1 | 7A | 95 BPM | ||
| We're Dark Fey | Geoff Zanelli | B Minor | 3 | 10A | 84 BPM | ||
| Why Does She Have To Die? - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Major | 2 | 11B | 154 BPM | ||
| Harry in Winter | Patrick Doyle | B Minor | 2 | 10A | 110 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Elk Hunt | Trevor Jones | C Major | 5 | 8B | 193 BPM | ||
| Main Titles | John Powell, Harry Gregson-Williams | G Major | 4 | 9B | 116 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| Eshkeri: Lamia's Lair | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 5 | 10B | 149 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| This Is Berk | John Powell | E♭ Major | 5 | 5B | 123 BPM | ||
| The Caravan | Jerry Goldsmith | A♭ Major | 2 | 4B | 132 BPM |