"Stravinsky: Evocation Des Ancetres. Le Sacre Du Printemps, Seconde Partie Le Sacrifice" by Peter Jablonski, Patrik Jablonski had its release date on January 1, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #61. Based on our statistics, Stravinsky: Evocation Des Ancetres. Le Sacre Du Printemps, Seconde Partie Le Sacrifice's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stravinsky: Evocation Des Ancetres. Le Sacre Du Printemps, Seconde Partie Le Sacrifice by Peter Jablonski, Patrik Jablonski having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lyric Pieces, Op. 54: 4. March of the Dwarfs | Edvard Grieg, Peter Jablonski | A Minor | 3 | 8A | 122 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Lieder ohne Worte, Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
| Liebesleid (Arr. For viola and piano) | Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino | A Major | 1 | 11B | 94 BPM | ||
| 13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
| Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 108 BPM | ||
| Gnossiennes: n° 5 | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 73 BPM | ||
| Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
| Debussy - Arabesque | Martin Bloch | E Major | 0 | 12B | 68 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
| Piano Concerto: I. Preludium. Andante con moto | Wojciech Kilar, Polish National Radio Symphony Orchestra, Wojciech Rayski, Peter Jablonski | A Minor | 8 | 8A | 103 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Ballabile | Blagoje Bersa, Goran Filipec | N/A | N/A | N/A | 0 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96: Selig, wie die Sonne (Arr. for Piano by Ronald Stevenson) | Richard Wagner, Peter Jablonski | F♯ Major | 0 | 2B | 71 BPM | ||
| 24 Préludes, Op. 28: No. 4, Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 112 BPM | ||
| Nocturne in E minor, Op. 72, No. 1 | Frédéric Chopin, Janusz Olejniczak | B Major | 0 | 1B | 64 BPM | ||
| Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
| 3 Songs Without Words: No. 2, Andante cantabile | Alexei Stanchinsky, Peter Jablonski | D♭ Major | 0 | 3B | 72 BPM | ||
| Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | ||
| Harmonies of the Night | Luke Faulkner | B♭ Minor | 1 | 3A | 94 BPM |