"White Rose Of Athens - Live Orchestra Recording" by Rudi, Corlea Botha had its release date on January 1, 2011. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. White Rose Of Athens - Live Orchestra Recording's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Ons Lieflinge/Our Darlings - Totsiens/Goodbye". In this album, this song's track order is #7. Furthermore, we believe that the track originated from South Africa. Based on our statistics, White Rose Of Athens - Live Orchestra Recording's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With White Rose Of Athens - Live Orchestra Recording by Rudi, Corlea Botha having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cry to Me | The Staccatos | A Major | 3 | 11B | 136 BPM | ||
| Why Me Lord (Radio Edit) | Ken Mullan | G Major | 5 | 9B | 87 BPM | ||
| Sweet Dreams | Rudi, Corlea Botha | B♭ Major | 5 | 6B | 84 BPM | ||
| Tiny Bubbles | Gerrie Pretorius | F Major | 6 | 7B | 117 BPM | ||
| Why Did You Leave with No Goodbye | Mon Amour | E Major | 7 | 12B | 110 BPM | ||
| Lied Van Die Lewe | Gé Korsten | C Major | 7 | 8B | 128 BPM | ||
| Patches | Jody Wayne | F Major | 5 | 7B | 130 BPM | ||
| Die Lied Van Die Natuur | Laurika Rauch | D Major | 6 | 10B | 76 BPM | ||
| Always Together (As One) | Mon Amour | C Major | 5 | 8B | 108 BPM | ||
| A Million Drums | Dennis East | G Major | 7 | 9B | 156 BPM | ||
| Oorwinningslied (Loof Hom, Prys Hom, Halleluja) | Cordelia | D♭ Major | 6 | 3B | 185 BPM | ||
| Op Die Wal Van Die Visrivier - Live | Ronéll Erasmus | A♭ Major | 3 | 4B | 73 BPM | ||
| Mammas Don't Let Your Babies Grow Up to Be Cowboys | Wynand, Cheree | D Major | 7 | 10B | 94 BPM | ||
| Die Heer is naby | Ronéll Erasmus | C Major | 3 | 8B | 119 BPM | ||
| Seeman | Ge Korsten | E♭ Major | 5 | 5B | 206 BPM | ||
| Tant Mossie | Sonja Herholdt | A Major | 6 | 11B | 150 BPM | ||
| Tetelestai | Rudi Muller | E Major | 6 | 12B | 189 BPM | ||
| Swakopmund | Thys Die Bosveldklong | A Major | 6 | 11B | 105 BPM | ||
| More Lyk Dit Anders | Rina Hugo | E Major | 7 | 12B | 116 BPM | ||
| Was Ek Maar 'n Digter | Kupido | E♭ Major | 7 | 5B | 118 BPM | ||
| Sweef soos 'n Arend | Monique Steyn | G Major | 4 | 9B | 116 BPM | ||
| Die Mense Wat Ek Lief Het | Laurika Rauch | D Major | 5 | 10B | 113 BPM | ||
| Donkerbruin Oë | DJ Ossewa, Manuel Escorcio | A Major | 8 | 11B | 130 BPM | ||
| Liefde In Die Reën | Cora Marie | D Major | 4 | 10B | 174 BPM | ||
| Alles vir liefde | Jak de Priester | G Major | 6 | 9B | 114 BPM |