"All That Remains" by Michael Frankenberger had its release date on June 27, 2025. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. All That Remains's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Revelation". In this album, this song's track order is #8. All That Remains is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All That Remains by Michael Frankenberger having a BPM of 52 with a half-time of 26 BPM and a double-time of 104 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Look Up Into The Sky | Clara Nishimoto | E Major | 0 | 12B | 181 BPM | ||
| The Slow Down | Allysium | B♭ Major | 0 | 6B | 145 BPM | ||
| With Ease | Loumi Des Moines | A♭ Minor | 0 | 1A | 109 BPM | ||
| Sunday Hour | Juno Celeste | A Minor | 0 | 8A | 68 BPM | ||
| Coming Back | Kisane | F Major | 0 | 7B | 111 BPM | ||
| The Weaver | Brooklyn Meir | F♯ Minor | 0 | 11A | 90 BPM | ||
| Dallas | Ashton Gleckman, Michael Frankenberger, Cameron Moody | A♭ Major | 1 | 4B | 138 BPM | ||
| Rest | Algot Brooke | G Major | 0 | 9B | 64 BPM | ||
| Until the End of Time | Mr. Kensington | E Major | 1 | 12B | 95 BPM | ||
| What I Was Then What I Am Now | Lisa Kriegler | B Major | 0 | 1B | 57 BPM | ||
| à Gauche | Pablo Jean Baptiste | F Major | 1 | 7B | 150 BPM | ||
| Snow-covered gardens | Ama Hemmah | F Major | 0 | 7B | 86 BPM | ||
| Resplendent | Glenn Natale | E Major | 1 | 12B | 107 BPM | ||
| Echoes Of The Summit | Michael Frankenberger, Sounds of Servus | A♭ Major | 2 | 4B | 74 BPM | ||
| Beneath | Barry Hudson-Taylor | A Major | 0 | 11B | 92 BPM | ||
| Sal Montis | Michael Frankenberger | C Major | 3 | 8B | 95 BPM | ||
| You've awakened me | Kathrin Holtz | G Major | 0 | 9B | 79 BPM | ||
| Coalescence | Treman, Gabe Saltman | F♯ Minor | 0 | 11A | 69 BPM | ||
| Island | Dean Caplan | F Major | 2 | 7B | 100 BPM | ||
| Incision In The Silence | Leisel Walker | A Major | 0 | 11B | 77 BPM | ||
| Lost & Found | Nora Gray | G Major | 0 | 9B | 70 BPM | ||
| Starry Night | Sarah Watson | A♭ Major | 1 | 4B | 103 BPM | ||
| There and Then | Piotr Wiese | D♭ Major | 1 | 3B | 97 BPM | ||
| Lost to memories | Aimon Cour | C Major | 0 | 8B | 74 BPM | ||
| Love | Michael Frankenberger | B Minor | 2 | 10A | 125 BPM |