Howard Tate's ' "How Come My Bulldog Don't Bark" was released on its scheduled release date, January 1, 1967. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. How Come My Bulldog Don't Bark's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Howard Tate's "Get It While You Can" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, How Come My Bulldog Don't Bark's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of How Come My Bulldog Don't Bark by Howard Tate to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Don't Worry Myself | Johnny Adams | A Major | 9 | 11B | 95 BPM | ||
| I May Not Be What You Want | Mel & Tim | D Major | 3 | 10B | 114 BPM | ||
| Did You Ever Have the Blues? | Don Bryant | B♭ Major | 6 | 6B | 117 BPM | ||
| See Saw | Don Covay | D Major | 5 | 10B | 136 BPM | ||
| Do Your Thing | Charles Wright & The Watts 103rd Street Rhythm Band | A Major | 5 | 11B | 127 BPM | ||
| You Gotta Move | Naomi Shelton, the Gospel Queens | C Major | 6 | 8B | 127 BPM | ||
| Git Out | Mitty Collier | B Minor | 7 | 10A | 113 BPM | ||
| I Can't Make It Alone | Otis Clay | C Major | 6 | 8B | 90 BPM | ||
| Too Much Mystery | Otis Clay | C Major | 5 | 8B | 96 BPM | ||
| Think About It | King Floyd | C Major | 5 | 8B | 87 BPM | ||
| Shoot 'Em All Down - Single Version | Howard Tate | D♭ Major | 6 | 3B | 91 BPM | ||
| Shake, Rattle & Roll | Arthur Conley | G Major | 7 | 9B | 160 BPM | ||
| Mojo Hannah | Esther Phillips | F♯ Major | 7 | 2B | 83 BPM | ||
| High Heeled Sneakers | Jimmy Hughes | G Major | 7 | 9B | 160 BPM | ||
| I Can't Be All Bad | Johnny Adams | B♭ Major | 4 | 6B | 201 BPM | ||
| Neighbor, Neighbor | Jimmy Hughes | A♭ Minor | 7 | 1A | 161 BPM | ||
| You're No Good - Remastered Single Version | Dee Dee Warwick | E Minor | 6 | 9A | 107 BPM | ||
| A Shot of Rhythm And Blues | Jimmy Hughes | A♭ Minor | 7 | 1A | 161 BPM | ||
| Tryin' Times | Donny Hathaway | D Major | 4 | 10B | 121 BPM | ||
| Won't Be Long | Ruby Johnson | B♭ Minor | 6 | 3A | 73 BPM | ||
| You're Gonna Miss Me | Ann Sexton | A Major | 5 | 11B | 143 BPM | ||
| My Love Is so Strong for You | Geater Davis | G Minor | 6 | 6A | 111 BPM | ||
| Git Back | Sugar Pie DeSanto | A♭ Major | 7 | 4B | 90 BPM | ||
| Ride Your Pony | Lee Dorsey | E♭ Major | 6 | 5B | 124 BPM | ||
| How Much Can A Man Take | Big John Hamilton | B♭ Major | 4 | 6B | 139 BPM |