On July 18, 2012, the song "Since You Left Home" was released by Brothers Moving. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Brothers Moving by Brothers Moving. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Since You Left Home's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Since You Left Home by Brothers Moving is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mona Lisa | The Vernons | C Major | 3 | 8B | 167 BPM | ||
| Time to Go | Brothers Moving | B Minor | 9 | 10A | 156 BPM | ||
| No Time to Slow Down | Mike Andersen | C Major | 5 | 8B | 88 BPM | ||
| One More for the Weekend | Gorran Kendall | E Major | 3 | 12B | 179 BPM | ||
| Keep It Classy Mary | The Vernons | G Major | 7 | 9B | 112 BPM | ||
| Dead Man's Suit | Jon Allen | G Major | 8 | 9B | 130 BPM | ||
| Drift Apart | Ben Caplan | F♯ Minor | 3 | 11A | 128 BPM | ||
| You Are My Sunshine | The Dead South | C Major | 0 | 8B | 84 BPM | ||
| Beautiful Sin | Yes Sir Boss | E Minor | 8 | 9A | 148 BPM | ||
| Bow for Blade | Brown Bird | G Minor | 5 | 6A | 203 BPM | ||
| Study On Falling | Asaf Avidan | A♭ Major | 4 | 4B | 109 BPM | ||
| The Special | Lightnin' Luke | C Major | 4 | 8B | 114 BPM | ||
| Sorry | Otis Stacks | F Major | 5 | 7B | 172 BPM | ||
| Kupenga | Strangely Arousing | E Minor | 9 | 9A | 105 BPM | ||
| Live Life | Samantics | D Major | 6 | 10B | 170 BPM | ||
| Early In The Mornin' | C.W. Stoneking | F Major | 2 | 7B | 91 BPM | ||
| Hard To Be So Easy | Lightnin' Luke | G Major | 6 | 9B | 82 BPM | ||
| True Love | Samantics, Sound of The Sirens | C Major | 5 | 8B | 125 BPM | ||
| One Way Road | Brothers Moving | C Major | 2 | 8B | 127 BPM | ||
| Ticks of the Clock | Riders Connection | C Minor | 8 | 5A | 112 BPM | ||
| Player | Anna Ash | D♭ Major | 5 | 3B | 108 BPM | ||
| Not Guilty | Yes Sir Boss | A Minor | 7 | 8A | 172 BPM | ||
| Sweet Talk and Lies | The Churchyard Ghost | A♭ Minor | 3 | 1A | 106 BPM | ||
| No Company | Charles Pasi | F Minor | 7 | 4A | 168 BPM | ||
| Grande giocatore | Lipka | F♯ Minor | 6 | 11A | 120 BPM |