On February 28, 2005, the song "The Irish Rover" was released by Brian Kennedy, Liam Clancy. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "On Song 2: Red Sails In The Sunset". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Irish Rover's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Irish Rover by Brian Kennedy, Liam Clancy having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glenties | Cherish The Ladies, Kate Purcell | C Major | 3 | 8B | 75 BPM | ||
| Calling Doon the Line (The Piper's Call) | Scocha | B♭ Major | 2 | 6B | 123 BPM | ||
| After the Ball | Frances Black | D Major | 1 | 10B | 83 BPM | ||
| Let It Be | De Dannan | D Major | 1 | 10B | 124 BPM | ||
| Believe It | Brian Kennedy | D Major | 4 | 10B | 117 BPM | ||
| In the Dreamtime | Ralph McTell | A Major | 7 | 11B | 175 BPM | ||
| Carrickfergus | Brian Kennedy, Heff Moraes | D Major | 1 | 10B | 93 BPM | ||
| Gratitude | Seán Keane | G Major | 3 | 9B | 78 BPM | ||
| Believe Me, If All Those Endearing Young Charms | Eleanor McEvoy | E Major | 6 | 12B | 109 BPM | ||
| Lift The Wings | Bill Whelan, Brian Kennedy, Ivan Goff, The Riverdance Orchestra, Proinnsias O'Duinn | C Major | 7 | 8B | 115 BPM | ||
| Trump Card | Bagatelle | C Major | 6 | 8B | 116 BPM | ||
| The Last Rose of Summer | Eleanor McEvoy | E Major | 6 | 12B | 109 BPM | ||
| When You Were Sweet Sixteen | Onóir | B♭ Major | 3 | 6B | 200 BPM | ||
| Solid Ground | Dolores Keane | D Major | 6 | 10B | 112 BPM | ||
| How We Love | Beth Nielsen Chapman | F♯ Major | 2 | 2B | 71 BPM | ||
| Curragh Of Kildare | Brian Kennedy, Adrian Dunbar | B Major | 7 | 1B | 144 BPM | ||
| The Only One For Me | John Spillane | G Major | 5 | 9B | 111 BPM | ||
| If You Ever Come Back From England | Bagatelle | G Major | 5 | 9B | 126 BPM | ||
| Wild Mountainside | Eddi Reader | D Major | 2 | 10B | 179 BPM | ||
| If I Go Sailing | Katie Theasby | A Major | 2 | 11B | 114 BPM | ||
| Ten Thousand Miles | Stockton's Wing | G Major | 2 | 9B | 110 BPM | ||
| Mountains O'Mourne | Don McLean | G Major | 1 | 9B | 102 BPM | ||
| Sonny | Mary Black | G Major | 3 | 9B | 142 BPM | ||
| The Town I Loved So Well | Phil Coulter | G Major | 1 | 9B | 112 BPM | ||
| Feet of A Dancer | Maura O'Connell | D Major | 2 | 10B | 137 BPM |