On January 9, 1932, the song "Charleston" was released by Paul Whiteman. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Charleston's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "New Orleans & California". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Germany. The popularity of Charleston is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Charleston by Paul Whiteman having a BPM of 211 with a half-time of 106 BPM and a double-time of 422 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jubilee Stomp | Duke Ellington & His Cotton Club Orchestra | C Major | 5 | 8B | 118 BPM | ||
| Avalon (02-27-28) | Red Nichols | D Major | 9 | 10B | 129 BPM | ||
| Kansas City Shuffle - Alternate Take | Bennie Moten | G Major | 3 | 9B | 109 BPM | ||
| Sweet and Low Down | Paul Whiteman & His Orchestra | G Major | 3 | 9B | 109 BPM | ||
| Everybody Loves My Baby (Recorded September, 1924) | Aileen Stanley | A♭ Minor | 1 | 1A | 126 BPM | ||
| Sunday | Abe Lyman | G Major | 3 | 9B | 103 BPM | ||
| Moten's Stomp | Bennie Moten's Kansas City Orchestra | E♭ Major | 5 | 5B | 122 BPM | ||
| Blue Lou | Charlie Spivak & His Orchestra | A♭ Major | 4 | 4B | 170 BPM | ||
| Crazy Rhythm | Roger Wolfe Kahn & His Orchestra | A♭ Major | 3 | 4B | 93 BPM | ||
| Spanish Kick | Charlie Barnet | G Major | 3 | 9B | 109 BPM | ||
| My Charabang | Robert Dale, Art Strauss | F Major | 2 | 7B | 160 BPM | ||
| Fireworks | Original Memphis Five | A♭ Major | 5 | 4B | 102 BPM | ||
| Everybody Loves My Baby | Clarence Williams | G Major | 3 | 9B | 109 BPM | ||
| Sugar Foot Stomp | Bob Crosby & The Bob Cats | G Major | 3 | 9B | 109 BPM | ||
| Laughing Marionette | Paul Whiteman | E♭ Major | 2 | 5B | 76 BPM | ||
| It Happened in Monterey | Paul Whiteman | G Major | 3 | 9B | 109 BPM | ||
| Music and Moonlight | The New Yorkers | F Minor | 6 | 4A | 113 BPM | ||
| I Don't Want Nobody but You | Park Lane Orchestra | G Major | 2 | 9B | 102 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee | B♭ Major | 2 | 6B | 106 BPM | ||
| Le jazz hot | Jimmie Lunceford & His Orchestra, Jimmie Lunceford | G Major | 6 | 9B | 147 BPM | ||
| Slow Mood | Bob Crosby & The Bob Cats | A Minor | 1 | 8A | 104 BPM | ||
| Isn't It a Happy Day | The London West End Orchestra | A♭ Major | 5 | 4B | 95 BPM | ||
| Carolina in the Morning | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| Lazy Afternoon (08-17-37) | Benny Carter | D Major | 5 | 10B | 153 BPM | ||
| I Can't Give Anything but Love | Century Jukebox, Paul Whiteman, Public Domain | A♭ Major | 3 | 4B | 94 BPM |