- BPM
- 169
- Key
- B♭ Major
- Camelot
- 6B
Variations & Fugue on a Theme by Telemann, Op. 134: Var. 8, Tempo primo by Max Reger, Marc-André Hamelin Song Details
Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 8, Tempo primo' had a release date set for January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 8, Tempo primo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 8, Tempo primo by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -21.701 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 19%
- Instrumentalness
- 86%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 39%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | F Major | 1 | 7B | 83 BPM | |
 | Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | |
 | Aubade, Op. 63: I. Lento | Lars-Erik Larsson, Marion Walker, Sara Övinge, Anders Rensvik, Kari Ravnan | C Major | 0 | 8B | 170 BPM | |
 | Nuit d'automne | Wanda Landowska, David Kadouch | D♭ Minor | 1 | 12A | 65 BPM | |
 | 6 Chorale Preludes, BV B 50: Es ist ein Ros entsprungen, Op. 122/8 | Johannes Brahms, Ferruccio Busoni, Igor Levit | F Major | 0 | 7B | 69 BPM | |
 | Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | |
 | Piano Concerto In F Minor, Op. 114: 3. Allegretto con spirito | Max Reger, Gerhard Oppitz, Bamberg Symphony, Horst Stein | F Major | 2 | 7B | 78 BPM | |
 | 9 Preludes, Op. 1: No. 2, Andante con moto | Karol Szymanowski, Paolo Ceccarini | G Minor | 0 | 6A | 72 BPM | |
 | Hymnen, Op. 140: IV. Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | |
 | The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | |
 | Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | |
| Vier ernste Gesänge: O Tod, wie bitter bist du, Op. 121/3 | Johannes Brahms, Max Reger, Igor Levit | E Major | 0 | 12B | 67 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: IId. Var. 3. Adagio | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) | Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra | F Minor | 0 | 4A | 122 BPM | |
 | Stabat Mater: Stabat Mater: IV. Quae moerebat et dolebat | Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | |
 | Psalm 100, Op. 106: 2. "Erkennet, daß der Herr Gott ist" | Max Reger, Bamberg Symphony, Horst Stein, Chor der Bamberger Symphoniker, Fritz Walter-Lindquist | D Major | 1 | 10B | 61 BPM | |
 | Gossec: Messe des morts: XXII. Pie Jesu | Francois-Joseph Gossec, Louis Devos, Howard Crook, Kurt Widmer, Maastricht Conservatory Chamber Choir, Musica Polyphonica | B Major | 2 | 1B | 119 BPM | |
 | Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | |
 | 12 Ländler, Op. 2: No. 3, Andantino | Maria Herz, Aude St-Pierre | G Major | 0 | 9B | 94 BPM | |
 | Pierné: 6 Pièces posthumes: No. 1, Prélude sur le nom de Paul Dukas, pour son tombeau | Gabriel Pierné, Diane Andersen | C Major | 1 | 8B | 80 BPM | |
 | Godowsky: Triakontameron, Vol. 3: No. 11, Alt Wien | Leopold Godowsky, Aurélien Pontier | D♭ Major | 0 | 3B | 73 BPM | |
 | O gloriosa virginum | Krzysztof Penderecki, Latvian Radio Choir, Sigvards Kļava | F Minor | 1 | 4A | 81 BPM | |
 | Miške, MKČ 101: I. Exposition, Main Theme. Lento assai | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | Der Mond ist aufgegangen | Johann Abraham Peter Schulz, Adolf Seifert, Max Reger, Volker Hempfling, Calmus Ensemble | F♯ Major | 1 | 2B | 86 BPM | |
 | Abendstern, D. 806 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Minor | 0 | 6A | 85 BPM |
- ISRC
- GBAJY9899630
- Label
- L-M Records/RCA Records