Babul Supriyo's ' "Aakashe Pawan" was released on its scheduled release date, November 6, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 6 in Deewana by Malaya Mishra. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aakashe Pawan's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aakashe Pawan by Babul Supriyo is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ae Prema Khali Tori Pain | Ananya Sritam Nanda, BISHNU MOHAN KABI | E Minor | 7 | 9A | 120 BPM | ||
| Hrudaya Bichara | Babushan, Nibedita | B Minor | 8 | 10A | 75 BPM | ||
| Mushkil Hai Jeena | Babushan Mohanty, Diptirekha Padhi | A♭ Minor | 9 | 1A | 84 BPM | ||
| Sagare Tarnga | Babul Supiyo | B Minor | 9 | 10A | 153 BPM | ||
| Padigali Mun To Premare | Kuldeep Pattnaik | F Minor | 7 | 4A | 110 BPM | ||
| Kemiti Kahibi | Nibedita, R. S. Kumar | B Minor | 8 | 10A | 75 BPM | ||
| Lipistick Bali Par Karega | Abhijit Mazumdar, Pamela Jain | D♭ Minor | 10 | 12A | 141 BPM | ||
| Katha Dela Katha Rakhiba | Suchismita Gajendra Singh, Sourav Bharadwaj | C Minor | 7 | 5A | 77 BPM | ||
| Tu Chanchala Nai | Swayam Padhi, Antara Chakrabarty | A Major | 9 | 11B | 138 BPM | ||
| Bijili Bali | Umakanta Barik | G Major | 8 | 9B | 79 BPM | ||
| Ne Re Neija Re | Mohammed Aziz, Ira Mohanty | F♯ Major | 9 | 2B | 124 BPM | ||
| Janhare Tate Punei Rana | Udit Narayan | B♭ Minor | 8 | 3A | 67 BPM | ||
| Nali Faraka Bali - Dharma Nikiti | K. Sanu, Sadhna S. | B♭ Minor | 7 | 3A | 141 BPM | ||
| Sadhaba Bohu Ku Mati Bahala Pae Jete | Ira Mohanty | G Major | 8 | 9B | 87 BPM | ||
| Katha Deli Matha Chhuin (Original Motion Picture Soundtrack) | Kumar Bapi, Ananya Sritam Nanda | B♭ Minor | 9 | 3A | 105 BPM | ||
| Barshare | Kuldeep Pattnaik | E♭ Minor | 6 | 2A | 102 BPM | ||
| Rupa Bagichare Tu Sunara Phula | Babul Supriyo | C Minor | 6 | 5A | 126 BPM | ||
| Muhu Malka Jhatka | Pratham Kumbhar, Swagatika Tripathy | A♭ Minor | 9 | 1A | 130 BPM | ||
| TU DEBATA MU MANISHA | Sourav Bharadwaj | A♭ Minor | 3 | 1A | 179 BPM | ||
| Le Baula | UMAKANT BARIK, Pallavi Nayak | D♭ Minor | 10 | 12A | 112 BPM | ||
| Mo Prema Ra Nayika | Swayam Padhi, Ipseeta Panda | C Minor | 7 | 5A | 114 BPM | ||
| Re Mana | Mohd Irfaan | A Minor | 4 | 8A | 76 BPM | ||
| E Ki Basna | Javed Ali | F Minor | 10 | 4A | 140 BPM | ||
| SCHOOL RA GHANTI BAJIGALE | UMAKANT BARIK, Sanju | C Major | 9 | 8B | 124 BPM | ||
| Abhi Manini | Babushan | E♭ Minor | 8 | 2A | 128 BPM |