"パ・ド・ブーレ / ポール・ド・ブラ ~「瀕死の白鳥」~ - 3/4 8×6+4" by 滝澤 志野 had its release date on December 5, 2019. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. パ・ド・ブーレ / ポール・ド・ブラ ~「瀕死の白鳥」~ - 3/4 8×6+4's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ドラマティック・ミュージック・フォー・バレエクラス3, so we believe that "パ・ド・ブーレ / ポール・ド・ブラ ~「瀕死の白鳥」~ - 3/4 8×6+4" is a single. パ・ド・ブーレ / ポール・ド・ブラ ~「瀕死の白鳥」~ - 3/4 8×6+4 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of パ・ド・ブーレ / ポール・ド・ブラ ~「瀕死の白鳥」~ - 3/4 8×6+4 by 滝澤 志野 is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Invocation | Mary C. Baggaley | E Major | 0 | 12B | 115 BPM | ||
| バットマン・タンデュ 「フー・ケアーズ?」より”ザ・マン・アイ・ラブ” 4/4 64 | 滝澤 志野 | E♭ Major | 2 | 5B | 108 BPM | ||
| Fast Tendus (with Repeat) | Miro Magloire, Wilhelm Burmann | B♭ Major | 2 | 6B | 78 BPM | ||
| Battements Tendus Slow - Walking Down the Street | Nolwenn Collet | D Major | 0 | 10B | 114 BPM | ||
| Plié ( JW Vol. 7 ) | Jiwon Choi | D Major | 1 | 10B | 114 BPM | ||
| Romeo and Juliet (Battements Tendus1) | Miwa Hoshi | F♯ Minor | 2 | 11A | 80 BPM | ||
| Mírame | Xoel Massó | G Major | 0 | 9B | 100 BPM | ||
| Berceuse, Op. 26 No. 7 - Welte-Mignon 970 | Ludwig Theodor Schytte, Anna Jutta Schytte, Peter Phillips | G Major | 1 | 9B | 71 BPM | ||
| Plie 6/8 64 Counts | Marina Stolyar | F Major | 0 | 7B | 109 BPM | ||
| Adagio II | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Office Structure | Teres | A Major | 0 | 11B | 119 BPM | ||
| Plies 8x8 | Dan Turcanu | F Minor | 1 | 4A | 98 BPM | ||
| Plie No. 2, Itxazoa | Josu Gallastegui | A Minor | 1 | 8A | 92 BPM | ||
| Stretch (Sleeping Beauty) | Nate Fifield | G Major | 0 | 9B | 84 BPM | ||
| Plie. 4/4 64 Counts | Marina Stolyar | E♭ Minor | 1 | 2A | 160 BPM | ||
| Autumn Waltz (Rond De Jambe a Terre) | Josu M Gallastegui, Josu Gallastegui | E♭ Major | 0 | 5B | 90 BPM | ||
| Variations on a Theme of Corelli, Op. 42: No. 17 Variation 15. Listesso tempo | Classical Portraits | D Minor | 0 | 7A | 120 BPM | ||
| Rubble on My Brain | Mariana Ghiaccio | E♭ Major | 0 | 5B | 71 BPM | ||
| Wonders of the Woods | Lora Chow | C Minor | 2 | 5A | 122 BPM | ||
| Casta Diva 12/8 (Norma) | The Ballet Pianist | F Major | 1 | 7B | 113 BPM | ||
| Mazurka Wn 41 | Frédéric Chopin, Anna Miernik | B♭ Major | 2 | 6B | 118 BPM | ||
| Raymonda/Raymonda Scarf Variation(Act.1) | Kim Ji Hyun | B Major | 2 | 1B | 99 BPM | ||
| Stretch 3x4 | Jorge L. Martínez | D Major | 2 | 10B | 101 BPM | ||
| Warm up Pointe 1. Metre 4/4. | Vadim Proshich, MetodoVadim | F Major | 2 | 7B | 90 BPM | ||
| ロン・ド・ジャンブ・ア・テール ~「白鳥の湖」第2幕より オデットのヴァリエーション~ - 3/4 8×8 | 滝澤 志野 | C Major | 1 | 8B | 135 BPM |