Elliot Baxter's 'It Is What It Is' had a release date set for August 9, 2024. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. It Is What It Is's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in It Is What It Is and no other songs are present in the album, we classify this track as a single. On top of that, Sweden appears to be the country where this track was created. It Is What It Is is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of It Is What It Is by Elliot Baxter to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One last kiss | Art Beckett | A♭ Major | 1 | 4B | 106 BPM | ||
| How Can I Know | Myles Dale | B♭ Minor | 0 | 3A | 51 BPM | ||
| Time for Us | Myles Dale | A♭ Major | 0 | 4B | 89 BPM | ||
| Still playing | Jeannie Purdue | C Major | 0 | 8B | 70 BPM | ||
| Weeping Willow | Christian Glass | F Major | 1 | 7B | 97 BPM | ||
| Am I Blue | Portiere Woodtar | G Minor | 0 | 6A | 74 BPM | ||
| Moonlight Over Manhattan | Claire Martinelle | B♭ Major | 0 | 6B | 68 BPM | ||
| Cityscape | Harry Reed | D Minor | 0 | 7A | 97 BPM | ||
| Silent Call | George Gower | F Minor | 0 | 4A | 76 BPM | ||
| I'm Not Over You | Rhys Wells | E♭ Major | 0 | 5B | 81 BPM | ||
| I'm Getting Sentimental Over You | Wes Ivory | F Major | 1 | 7B | 88 BPM | ||
| Just Driving By | Will Mays | D♭ Major | 0 | 3B | 49 BPM | ||
| Santa Monica | Degli Scalzi | E♭ Major | 0 | 5B | 130 BPM | ||
| Meet me in my dreams | Leah Lambert | G Major | 0 | 9B | 68 BPM | ||
| On the Road Again | Myles Dale | C Major | 0 | 8B | 66 BPM | ||
| Like a shadow | Graydon Poole | C Major | 0 | 8B | 69 BPM | ||
| You can handle it | Winola Weber | A Minor | 0 | 8A | 71 BPM | ||
| Deep in a dream | Henriette Martin | F Major | 1 | 7B | 95 BPM | ||
| Autumn Whispers | Sinead Fisher | C Major | 0 | 8B | 69 BPM | ||
| Our Last Night | Lecce Mchano | B♭ Minor | 0 | 3A | 76 BPM | ||
| Perhaps It's Late | Algot Aelster | A Major | 0 | 11B | 63 BPM | ||
| When You Come Home | Charles Blake | E♭ Major | 0 | 5B | 69 BPM | ||
| When We Meet Again | Ellie Manne | F Major | 0 | 7B | 70 BPM | ||
| Moonlight Melody | Miles Hartfield | A Major | 2 | 11B | 71 BPM | ||
| Same As Usual | Lyn Ardbeg | E♭ Major | 3 | 5B | 89 BPM |