Ray Wylie Hubbard's ' "Conversation With The Devil" was released on its scheduled release date, July 20, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 10 in Crusades Of The Restless Knights by Ray Wylie Hubbard. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Conversation With The Devil is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Conversation With The Devil by Ray Wylie Hubbard is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faster Horses (The Cowboy And The Poet) | Tom T. Hall | G Major | 5 | 9B | 115 BPM | ||
| Ragged but Alright | Hellbound Glory | A Major | 9 | 11B | 180 BPM | ||
| Trucker Speed | Fred Eaglesmith | G Major | 1 | 9B | 130 BPM | ||
| Jackson Station | The Band Of Heathens | G Major | 6 | 9B | 124 BPM | ||
| Dallas After Midnight | Ray Wylie Hubbard | D Major | 3 | 10B | 124 BPM | ||
| Pinball | Hellbound Glory | A Major | 9 | 11B | 127 BPM | ||
| There Oughta Be a Law Against Sunny Southern California (Jabo I, II, III) | Terry Allen | E Minor | 6 | 9A | 171 BPM | ||
| Where Do You Want It | Dale Watson | D Major | 7 | 10B | 121 BPM | ||
| Old Men | Corb Lund | D Major | 8 | 10B | 147 BPM | ||
| Medicine Man | The Band Of Heathens | B Major | 7 | 1B | 95 BPM | ||
| Ragged Old Truck | Billy Joe Shaver | A Major | 4 | 11B | 128 BPM | ||
| Can't Stay Long | Scott H. Biram | G Major | 6 | 9B | 114 BPM | ||
| The Dogs | Justin Wells | B♭ Major | 8 | 6B | 147 BPM | ||
| The Black Label Blues | Gamble Rogers | E Major | 4 | 12B | 124 BPM | ||
| Alabama HighTest | Old Crow Medicine Show | D Major | 8 | 10B | 158 BPM | ||
| Pinball Song | Slobberbone | E♭ Major | 8 | 5B | 133 BPM | ||
| Another Like You | Hayes Carll | C Major | 8 | 8B | 111 BPM | ||
| Stealing Electricity | Tom Russell | E Major | 6 | 12B | 120 BPM | ||
| Wishing Well | Josh Morningstar | A Major | 3 | 11B | 75 BPM | ||
| Nothing On Me | Chris Knight | F♯ Major | 7 | 2B | 70 BPM | ||
| I'm Not Drunk I'm Just Drinking | Mack Allen Smith | A Major | 4 | 11B | 93 BPM | ||
| Alcohol And Pills | Fred Eaglesmith | F♯ Minor | 4 | 11A | 130 BPM | ||
| Play Something We Know | Adam Hood | G Major | 3 | 9B | 125 BPM | ||
| Deguello Motel | Roger Alan Wade | C Major | 5 | 8B | 174 BPM | ||
| Brother, Oh Brother | American Aquarium | A Major | 3 | 11B | 154 BPM |