Pure Bhakti Melody, Premanand Maharaj's 'RAM NAAM JAP' had a release date set for July 31, 2024. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since RAM NAAM JAP only contains only one song in the album, we like to consider this song as a single. Based on our statistics, RAM NAAM JAP's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With RAM NAAM JAP by Pure Bhakti Melody, Premanand Maharaj having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maha Laxmi | Rattan Mohan Sharma | E♭ Major | 5 | 5B | 100 BPM | ||
| Humare Saath Shri Raghunath To, Kis Baat !! | Pujya Satyanarayan Ji | E Minor | 7 | 9A | 164 BPM | ||
| Satsang Amar Jadi | Bhajnanand Ji Maharaj | A♭ Minor | 7 | 1A | 78 BPM | ||
| Na Mantram No Yantram | Vishal Shukla | F♯ Major | 2 | 2B | 72 BPM | ||
| Thandi Thandi Chandi | Ranu Mukherjee | D Major | 3 | 10B | 123 BPM | ||
| SANSO KI MALA PE SIMRU ME | Morari Bapu | A♭ Major | 6 | 4B | 126 BPM | ||
| Vedsaar Shiv Stavah | Shri Dhananjay Tiwari | C Major | 5 | 8B | 88 BPM | ||
| Morning Raga Bhairav | Nirali Kartik, Amit Mishra | E Major | 8 | 12B | 106 BPM | ||
| Sirsagar Se Chalya Ja | Shri Bansi Jogi | F♯ Major | 5 | 2B | 82 BPM | ||
| Kahna Hoga Kuchh Kar Na Sake | Prem Bhushan Maharaj | B♭ Minor | 8 | 3A | 117 BPM | ||
| Kar Singar and Sur Bin Taan Nahin | Sulakshana Pandit, Aarti Mukherji, Purshottam Das Jalota, Anand Kumar C. | D Minor | 5 | 7A | 154 BPM | ||
| Sukhkarta Dukhharta Aarti & Karpur Gauram | Vajrang Aphale | B♭ Major | 6 | 6B | 160 BPM | ||
| Meditation in India | Tanpura Meditation | D Minor | 1 | 7A | 119 BPM | ||
| Gaudiya Guru Parampara - Studio | Tanmay Agnihotri, Safin Laller | B♭ Major | 6 | 6B | 77 BPM | ||
| Om Radha Krishnay Namah | Pure Bhakti Melody | A♭ Major | 4 | 4B | 100 BPM | ||
| Kaal Bhairav Ashtakam | Isha Sharma | D♭ Major | 5 | 3B | 115 BPM | ||
| Om Namah Shivaya | Divine Shiva Mantra | Dhyan | E Minor | 6 | 9A | 91 BPM | ||
| Tirupati Balaji Mantra | Nidhi Prasad | D Minor | 4 | 7A | 156 BPM | ||
| Namami Shamishan Nirvan Roopam | Dharmendra Narayan | D♭ Minor | 5 | 12A | 117 BPM | ||
| Mangala Aarti | Swarup Damodar Prabhu | D♭ Major | 4 | 3B | 159 BPM | ||
| Amba Shankari Parameshwari | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 107 BPM | ||
| Chimta Bajaven Babe | Sumit Kalanaur, RK Gorankheri | E Minor | 6 | 9A | 91 BPM | ||
| Karpurgauram Karunavtaram | Nidhi Prasad | C Major | 4 | 8B | 144 BPM | ||
| Buddham Sharanam Gachchhami | Priyankaa Bhattacharya | B♭ Minor | 4 | 3A | 160 BPM | ||
| Shri Radha Naam Jap 1 hour | Shree Dhun | E Minor | 6 | 9A | 91 BPM |