Antoine Forqueray, Jean-Baptiste Forqueray, Ton Koopman's ' "Forqueray, A & JB: Pièces de viole mises en pièces de clavecin, Suite No. 5: I. La Rameau" was released on its scheduled release date, September 23, 2022. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 14 in Forqueray: Livre de clavecin de Madame Forqueray by Antoine Forqueray, Jean-Baptiste Forqueray, Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Forqueray, A & JB: Pièces de viole mises en pièces de clavecin, Suite No. 5: I. La Rameau's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Forqueray, A & JB: Pièces de viole mises en pièces de clavecin, Suite No. 5: I. La Rameau by Antoine Forqueray, Jean-Baptiste Forqueray, Ton Koopman is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Manuscrit de Tournus, Suite in D Minor: Courante et son double | Monsieur de Sainte-Colombe, Lucile Boulanger | D♭ Minor | 1 | 12A | 50 BPM | ||
| Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
| Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Suite pour trois violes: I. Allemande - Transcribed for Solo Harpsichord | Antoine Forqueray, Justin Taylor | B Minor | 4 | 10A | 100 BPM | ||
| Couperin, L: Suite en sol: IV. Sarabande, G. 97 | Louis Couperin, Jean Rondeau | E♭ Major | 2 | 5B | 135 BPM | ||
| Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
| Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, By Beauteous Softness | Henry Purcell, Paul-Antoine Benos-Djian, Le Consort | D♭ Minor | 0 | 12A | 71 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
| Suite En Mi Mineur: Gigue, II.102 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 78 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Courante et ses variations | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 115 BPM | ||
| Messe de Requiem, Kyrie: Kyrie eleison | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Minor | 2 | 2A | 92 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: III. Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
| Sonata Per Viola da Gamba No. 2 in a Minor: II. Allegro | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D Major | 4 | 10B | 89 BPM | ||
| Oh Gottes Stadt, BuxWV 87 | Dietrich Buxtehude, Martin Platz, Wolfgang Katschner, Lautten Compagney | F♯ Major | 3 | 2B | 58 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: IV. Gigue | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Les Génies ou les Caractères de l'Amour: Rondeau | Mademoiselle Duval, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | ||
| Suite No. 3 in D Major: No. 5, La Du Vaucel. Très tendrement | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Mathilde Vialle | F♯ Major | 0 | 2B | 102 BPM | ||
| Suite No. 1 in D Minor: No. 3, La Cottin. Galamment et avec lenteur | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Pau Marcos Vicens, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Corrente Italiana | Juan Cabanilles, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 2 | 5B | 122 BPM | ||
| Pieces de viole, Suite No. 2 in G Major: IV. La Leclair | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Couperin, L: Suite en fa: II. Allemande, G. 66 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot | E♭ Major | 2 | 5B | 135 BPM | ||
| Sonate in A Minor: I. Grave | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Canzona prima a 2 bassi | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Major | 2 | 10B | 75 BPM |