Barry Guy, Robert Dick, Randy Raine-Reusch's 'Ideareal History' had a release date set for 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Barry Guy, Robert Dick, Randy Raine-Reusch's "GUDIRA" album is number 3 out of 9. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Ideareal History's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ideareal History by Barry Guy, Robert Dick, Randy Raine-Reusch to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Golden Brown | Estoria | F Minor | 0 | 4A | 104 BPM | ||
| A Mind in the Heart | Ivan Vukosavljević, Joana Gama | F Minor | 0 | 4A | 104 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | F Minor | 0 | 4A | 104 BPM | ||
| dialog II | R.Kuhn | A Minor | 3 | 8A | 175 BPM | ||
| Polymorphia | Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 3 | 4A | 86 BPM | ||
| Ydra 6 - Greek Song | Savina Yannatou, Floros Floridis, Barry Guy, Ramon Lopez | F Major | 2 | 7B | 107 BPM | ||
| bad end | R.Kuhn | A Minor | 3 | 8A | 175 BPM | ||
| Qen a omagen da Virgin | Martien van der Knijff | D♭ Major | 3 | 3B | 123 BPM | ||
| Schichtungen 4 | Herr Stabel, Sebastian Deufel | D♭ Major | 2 | 3B | 108 BPM | ||
| Klavierstück II | Karlheinz Stockhausen, Miharu Ogura | F♯ Major | 0 | 2B | 86 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| Varhaisella | Lauri Porra | F♯ Major | 3 | 2B | 108 BPM | ||
| La Brosse | Martien van der Knijff | F♯ Major | 4 | 2B | 119 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| 4'33 | John Cage, The King's Singers | N/A | N/A | N/A | 0 BPM | ||
| step but III | R.Kuhn | A Minor | 3 | 8A | 175 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| Tone IQ | Matthew Shipp | G Major | 2 | 9B | 96 BPM | ||
| Jungle | Lavinia Concia | B♭ Minor | 0 | 3A | 180 BPM | ||
| Elaine De Kooning | Vidremate | A Major | 0 | 11B | 79 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Drifting | Palle Mikkelborg | F Minor | 0 | 4A | 104 BPM | ||
| Shaw Town | Chicago Underground Trio | F Major | 0 | 7B | 80 BPM | ||
| Track 2 | David Smur | B♭ Minor | 2 | 3A | 94 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM |