Kanan Devi's 'Gehri Re Nadia' had a release date set for January 28, 1941. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kanan Devi's "Hit Melodies of Kanan Devi" album is number 8 out of 10. On top of that, India appears to be the country where this track was created. Gehri Re Nadia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gehri Re Nadia by Kanan Devi to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elo Elo | Rupak Tiary, Pragya Dutta | E Major | 7 | 12B | 109 BPM | ||
| Hoyto Konodin (Reprise Version) | Keshab Dey | D Minor | 4 | 7A | 120 BPM | ||
| O Tunir Maa | Promit Kumar | G Major | 7 | 9B | 69 BPM | ||
| Bhulini Tomay | Jisan Khan Shuvo | E Minor | 7 | 9A | 168 BPM | ||
| Ureche Mon (original motion picture soundtrack) | Arijit Singh | B Major | 7 | 1B | 84 BPM | ||
| Mon Bechara (original motion picture soundtrack) | Shweta Pandit, Shaan | A Minor | 8 | 8A | 90 BPM | ||
| Bangladesher Meye | Akassh | G Major | 9 | 9B | 103 BPM | ||
| Pirit Koro Na | Rana Majumdar, Jeet Gannguli | G Major | 6 | 9B | 165 BPM | ||
| Mon Toke Dilam | Zubeen Garg, Jeet Gannguli | B Minor | 9 | 10A | 134 BPM | ||
| Aaj Ami Maal Chhada | Babul Supriyo | A Major | 1 | 11B | 64 BPM | ||
| Mad I Am Mad | Mika Singh, Saberi Bhattacharya | D♭ Major | 9 | 3B | 132 BPM | ||
| Tar Bidaybelar Malakhani | Kanan Devi | D♭ Minor | 3 | 12A | 131 BPM | ||
| Rongin Ghuri | Keshab Dey | C Major | 6 | 8B | 140 BPM | ||
| Nirobotay Chhilo | Ishan Mitra, Ranajoy Bhattacharjee | F Minor | 6 | 4A | 100 BPM | ||
| Bou Kotha | Sayan Bhattacharya, Saswata Ray, Sarthak Ghosh | D Major | 8 | 10B | 132 BPM | ||
| Koka Kola | Samidh Mukherjee, Kalpona Patoary | A Major | 9 | 11B | 150 BPM | ||
| Na Bola Kotha | Eleyas Hossain, Aurin | A Minor | 7 | 8A | 195 BPM | ||
| Shono Go Dakhin Hawa | Madhubanti Bagchi, Rubayat Rehman, Jannatul Firdous Akbar, Tahsan | D♭ Minor | 6 | 12A | 120 BPM | ||
| Kothin | Ash King, Sayani Ghosh | G Major | 9 | 9B | 102 BPM | ||
| Naam Harano | Srikanta Acharya | F♯ Major | 6 | 2B | 156 BPM | ||
| Tikatuli | Motin Chowdhury | B Major | 7 | 1B | 152 BPM | ||
| Uua Uua E | Shaan, June | B♭ Minor | 8 | 3A | 141 BPM | ||
| Nizamuddin | Fakira | E Minor | 8 | 9A | 98 BPM | ||
| Kon Prabhater Moner Range | Kanan Devi | B♭ Major | 3 | 6B | 132 BPM | ||
| Jege Achi | Prasenjit Mallick, Dipanwita Chowdhury | B♭ Major | 7 | 6B | 130 BPM |