"Images inédites, L. 87: III. Quelques aspects de "Nous n'irons plus au bois" parce qu'il fait un temps épouvantable" by Claude Debussy, Alain Planès had its release date on July 31, 2007. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 31 in Debussy: Estampes; Pour le piano; 6 épigraphes antiques by Claude Debussy, Alain Planès. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Images inédites, L. 87: III. Quelques aspects de "Nous n'irons plus au bois" parce qu'il fait un temps épouvantable is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Images inédites, L. 87: III. Quelques aspects de "Nous n'irons plus au bois" parce qu'il fait un temps épouvantable by Claude Debussy, Alain Planès is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danse (Tarentelle styrienne), L. 69 | Claude Debussy, Alain Planès | E Major | 1 | 12B | 68 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Brahms - Op.116 No.2 Intermezzo A minor | Elena Kuschnerova | A Minor | 0 | 8A | 132 BPM | ||
| Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
| Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
| Pièces lyriques, Op. 54: IV. Notturno | Edvard Grieg, Mara Dobresco | C Major | 0 | 8B | 69 BPM | ||
| 12 Études d'exécution transcendante, S. 139: No. 3 Paysage (Poco adagio) | Franz Liszt, Daniil Trifonov | F Major | 0 | 7B | 67 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Gnossiennes: No. 6 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 70 BPM | ||
| Piano Sonata No. 6 in A Major, Op. 82: 4. Vivace | Sergei Prokofiev, Ivo Pogorelich | C Major | 1 | 8B | 167 BPM | ||
| Kinderszenen, Op. 15: XII. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
| Scriabin: 24 Preludes, Op. 11: No. 3 in G Major | Alexander Scriabin, Mikhail Pletnev | G Major | 0 | 9B | 63 BPM | ||
| 6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
| Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM | ||
| Blumenleben, Op. 19: No. 7, Lilien | Dora Pejačević, Natasa Veljkovic | C Major | 3 | 8B | 80 BPM | ||
| Valse-fantasie in B Minor (Arr. V. Gryaznov for Piano) | Mikhail Glinka, Vyacheslav Gryaznov | G Major | 2 | 9B | 137 BPM | ||
| Danse, L. 69 | Claude Debussy, François-Joël Thiollier | D♭ Major | 1 | 3B | 132 BPM | ||
| Automne | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 69 BPM | ||
| Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
| Églogue | Franz Liszt, André Laplante | A♭ Major | 0 | 4B | 74 BPM | ||
| Brahms - Op.116 No.4 Intermezzo E major | Elena Kuschnerova | E Major | 0 | 12B | 70 BPM | ||
| Les soirs illuminés par l'ardeur du charbon, CD 150 | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 168 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
| Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin | Valeria Szervánszky, Ronald Cavaye | G Minor | 0 | 6A | 67 BPM | ||
| Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM |