Daylight in Between's 'THIS SIDE OF MIDNIGHT - INSTRUMENTAL' had a release date set for November 14, 2025. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. THIS SIDE OF MIDNIGHT - INSTRUMENTAL's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 2 in the song's album "THIS SIDE OF MIDNIGHT (INSTRUMENTAL)". In this album, this song's track order is #1. Based on our statistics, THIS SIDE OF MIDNIGHT - INSTRUMENTAL's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With THIS SIDE OF MIDNIGHT - INSTRUMENTAL by Daylight in Between having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lie | Cameron Sanderson | B♭ Minor | 9 | 3A | 173 BPM | ||
| Pulling Me With You | Forever Mortal | E Major | 10 | 12B | 200 BPM | ||
| Bodybag | Matt Whataguy | B♭ Major | 8 | 6B | 130 BPM | ||
| Heartbound | Verbana | B♭ Major | 8 | 6B | 110 BPM | ||
| Hope | Yesterday Once Again | B♭ Major | 9 | 6B | 179 BPM | ||
| Endlessly | NTH RD | F Minor | 10 | 4A | 105 BPM | ||
| A Fire In The Attic | Second Harbour | G Major | 8 | 9B | 110 BPM | ||
| Airless | UNWELL | B♭ Minor | 9 | 3A | 90 BPM | ||
| Everything | RODERIK | B♭ Minor | 9 | 3A | 104 BPM | ||
| LIGHTNING | Not My Weekend, Brian Butcher | G Major | 9 | 9B | 147 BPM | ||
| Under Your Spell | Up from Here | G Major | 8 | 9B | 102 BPM | ||
| Fear of You | HRTLSS | F Minor | 8 | 4A | 75 BPM | ||
| all i wanna know | crimmins | G Major | 8 | 9B | 114 BPM | ||
| Save A Spot | Wix Patton, EvanJoseph | E♭ Major | 5 | 5B | 150 BPM | ||
| Never Ending Story | Best Case | A♭ Major | 6 | 4B | 139 BPM | ||
| Every High Has a Come Down | Flwers | E Major | 9 | 12B | 131 BPM | ||
| Don't Call | Lake Drive | D♭ Major | 9 | 3B | 112 BPM | ||
| DEATH SENTENCE | The New Violence | A Major | 8 | 11B | 145 BPM | ||
| More Than Pixels | ME & The Robots | A♭ Major | 8 | 4B | 198 BPM | ||
| Black & Blue | Dear Youth | G Major | 8 | 9B | 108 BPM | ||
| stay lost | Rain Division | B Minor | 10 | 10A | 180 BPM | ||
| foreverend | newshapes, Rebekah Kirk, Sixth Wonder | B♭ Major | 10 | 6B | 91 BPM | ||
| Wasted (feat. Joshua Golden) | Flight Volume, Jordan James, Joshua Golden | D♭ Minor | 8 | 12A | 140 BPM | ||
| Quarter to Midnight | Jeremy Elliot | G Major | 7 | 9B | 128 BPM | ||
| Something About You | Brooklane | D♭ Major | 9 | 3B | 120 BPM |