Duke Ellington's ' "Don't Get Around Much Anymore" was released on its scheduled release date, January 31, 2000. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 66 in the song's album "The Duke: The Columbia Years (1927-1962)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Don't Get Around Much Anymore is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Don't Get Around Much Anymore by Duke Ellington having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Tenderly | Bill Evans | F Minor | 2 | 4A | 148 BPM | ||
| Hey, Good Lookin' | Mose Allison | A♭ Major | 4 | 4B | 107 BPM | ||
| Tain't What You Do (It's The Way That You Do It) | Jimmie Lunceford | A♭ Major | 2 | 4B | 161 BPM | ||
| I've Never Been In Love Before | Lorez Alexandria | A♭ Major | 2 | 4B | 140 BPM | ||
| Prelude to a Kiss | Duke Ellington | D♭ Major | 2 | 3B | 85 BPM | ||
| That's All | Ben Webster | G Minor | 1 | 6A | 80 BPM | ||
| Jive At Six | Ben Webster | D Major | 4 | 10B | 171 BPM | ||
| The Critic's Choice | Oliver Nelson, Daniel Moore | F Minor | 7 | 4A | 96 BPM | ||
| I Love Being Here With You | Ernestine Anderson | D♭ Major | 2 | 3B | 123 BPM | ||
| When Lights Are Low | Dakota Staton | C Minor | 4 | 5A | 96 BPM | ||
| Stompin At The Savoy | Benny Goodman | B♭ Minor | 2 | 3A | 156 BPM | ||
| Corner Pocket | Count Basie | F♯ Major | 3 | 2B | 138 BPM | ||
| Comet Chop Suey | Louis Armstrong & His Hot Five | E♭ Major | 2 | 5B | 171 BPM | ||
| Shoo Fly Pie and Apple Pan Dow | June Christy | E♭ Major | 4 | 5B | 162 BPM | ||
| Mercy, Mercy, Mercy | Cannonball Adderley | B♭ Major | 3 | 6B | 84 BPM | ||
| Cherokee | Clifford Brown, Max Roach Quintet | E♭ Major | 7 | 5B | 87 BPM | ||
| The Sheik of Araby | J. C. Higginbotham | G Minor | 3 | 6A | 110 BPM | ||
| September In The Rain | Dinah Washington | D♭ Major | 2 | 3B | 111 BPM | ||
| Sunday Mornin' | Coleman Hawkins | D♭ Major | 5 | 3B | 98 BPM | ||
| Day Dream | Ella Fitzgerald, Duke Ellington | C Major | 2 | 8B | 90 BPM | ||
| This Could Be the Start of Something | Buddy Greco | A♭ Major | 5 | 4B | 113 BPM | ||
| Poor Butterfly | Cannonball Adderley Quartet | A♭ Major | 4 | 4B | 135 BPM | ||
| Days Of Wine And Roses | McCoy Tyner | G Minor | 1 | 6A | 66 BPM | ||
| Donna Lee | Lee Konitz, Warne Marsh | A♭ Major | 4 | 4B | 123 BPM |