Chet Baker's 'You'd Be So Nice To Come Home To - Mono' had a release date set for 1959. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in Chet (Mono) by Chet Baker. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. You'd Be So Nice To Come Home To - Mono is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of You'd Be So Nice To Come Home To - Mono by Chet Baker is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Bossa - Remastered | Joe Henderson | F Minor | 4 | 4A | 82 BPM | ||
| It Had To Be You - Live At The Half Note, NYC, 1959 | Zoot Sims, Al Cohn | A Minor | 1 | 8A | 77 BPM | ||
| I've Got It Bad And That Ain't Good | Johnny Hodges, Billy Strayhorn | B♭ Major | 1 | 6B | 86 BPM | ||
| Cherry | Gerry Mulligan Quartet, Chet Baker | G Major | 2 | 9B | 107 BPM | ||
| You've Changed - Remastered 2015 | Dexter Gordon | E♭ Major | 1 | 5B | 59 BPM | ||
| I Waited For You - Remastered 1998 | Miles Davis | F Major | 1 | 7B | 131 BPM | ||
| Body And Soul | Freddie Hubbard | D♭ Major | 1 | 3B | 91 BPM | ||
| I Didn't Know About You | Ben Webster, Johnny Hodges | D♭ Major | 2 | 3B | 92 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Star Eyes | McCoy Tyner | F Minor | 3 | 4A | 173 BPM | ||
| It's Easy To Remember - Take 11 | John Coltrane Quartet | F Minor | 2 | 4A | 100 BPM | ||
| Smoke Gets In Your Eyes | Clifford Brown | F Major | 1 | 7B | 139 BPM | ||
| My Conception | Sonny Clark | E♭ Major | 1 | 5B | 63 BPM | ||
| Lazy Afternoon | Joe Henderson | F Minor | 1 | 4A | 53 BPM | ||
| Soul Eyes | John Coltrane Quartet | F Minor | 3 | 4A | 78 BPM | ||
| Out Of Nowhere | Charlie Parker | G Major | 2 | 9B | 65 BPM | ||
| Trav'lin Light | Gerry Mulligan, Chet Baker | F Minor | 1 | 4A | 112 BPM | ||
| Yesterday's Dreams | Freddie Hubbard | A Minor | 4 | 8A | 109 BPM | ||
| Autumn in New York - Bonus Track | Bobby Timmons, Jimmy Bond, Peter Littman | F Major | 1 | 7B | 69 BPM | ||
| Autumn In New York | Chet Baker | E♭ Minor | 1 | 2A | 95 BPM | ||
| When Sunny Gets Blue | Charlie Rouse | F Major | 1 | 7B | 101 BPM | ||
| Groove Waltz | McCoy Tyner | F Major | 3 | 7B | 91 BPM | ||
| Detour Ahead (take 2) | Bill Evans Trio | A Minor | 1 | 8A | 98 BPM | ||
| I Can't Get Started | Anita O'Day | F Major | 1 | 7B | 90 BPM | ||
| Chelsea Bridge | Tommy Flanagan Trio | A♭ Major | 4 | 4B | 136 BPM |