"Young Hearts" by Robert Berry had its release date on December 5, 2008. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The Dividing Line". In this album, this song's track order is #9. Based on our statistics, Young Hearts's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Young Hearts by Robert Berry having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lingering Promises | LiftMachine | A Major | 8 | 11B | 162 BPM | ||
| Singing Deep Mountain | Gordian Knot | G Major | 5 | 9B | 100 BPM | ||
| All That's Left | Spock's Beard | D Minor | 7 | 7A | 144 BPM | ||
| Tres Vieux Jeu | Pär Lindh Project | A Major | 7 | 11B | 125 BPM | ||
| Subdivisions | Randy Jackson, Dominic Cifarelli, Vinnie Moore, Stu Hamm, Mike Mangini, Robert Berry, Jeff Feldman, Trent Gardner | B Minor | 8 | 10A | 136 BPM | ||
| Wild Son | Erkin Mimram, Eclador | B♭ Major | 1 | 6B | 59 BPM | ||
| Battle at the Fort | Ilan Eshkeri | F♯ Minor | 6 | 11A | 130 BPM | ||
| What the Human Eye Sees | Falcom Sound Team jdk | F Major | 7 | 7B | 167 BPM | ||
| Auf einen thalusischen Tee | Ralf Kurtsiefer | C Minor | 4 | 5A | 100 BPM | ||
| Brannoc At the Forge | Alex Pfeffer | C Major | 6 | 8B | 110 BPM | ||
| Engelen polska av Melpa-Jocke | Melpa-Jockes Jam Club | D♭ Major | 1 | 3B | 64 BPM | ||
| Markings On a Parchment | Arena | E Major | 2 | 12B | 60 BPM | ||
| Baltar's Dream | Bear McCreary | D Major | 5 | 10B | 91 BPM | ||
| We Are Light | Henrik Flyman | C Major | 8 | 8B | 83 BPM | ||
| OK Corral | Michele Brustia & Poul Bjorling | A Major | 7 | 11B | 125 BPM | ||
| The Shattered Springs | Funcom Soundtrack, Knut Avenstroup Haugen | B Minor | 1 | 10A | 98 BPM | ||
| My Way to Love You | Silviu Michaels, Sade | C Major | 3 | 8B | 110 BPM | ||
| Different Strings | Robert Berry | A Minor | 6 | 8A | 130 BPM | ||
| Returning the Curse | Arena | D♭ Major | 9 | 3B | 93 BPM | ||
| The In-Between Kingdom | Lunatic Soul | D Major | 5 | 10B | 140 BPM | ||
| Finale | Christopher Lee | A Major | 5 | 11B | 104 BPM | ||
| Quiet House | Spock's Beard | G Major | 9 | 9B | 148 BPM | ||
| Horse Lords of Norcrofts | Chance Thomas | D♭ Major | 5 | 3B | 130 BPM | ||
| So Much Suffering | Audinity | D Major | 1 | 10B | 82 BPM | ||
| Echoes of a Lost Age | Joseph Snode | D Major | 5 | 10B | 95 BPM |