Chris LeDoux's 'Utah Tribute' had a release date set for January 1, 1988. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Utah Tribute's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Chris LeDoux And The Saddle Boogie Band by Chris LeDoux. Utah Tribute is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Utah Tribute by Chris LeDoux is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horses, Cattle and Coyotes | Sons Of The San Joaquin | D Major | 4 | 10B | 97 BPM | ||
| Grandad's Farmall | Larry Rothman | D Major | 5 | 10B | 168 BPM | ||
| Tadpoles & Eagles | Max Stalling | D Major | 6 | 10B | 106 BPM | ||
| Uneasy Rider '88 | The Charlie Daniels Band | C Major | 6 | 8B | 107 BPM | ||
| Riding With Private Malone | David Ball | E Major | 5 | 12B | 94 BPM | ||
| Jackson Hole | C.W. McCall | C Major | 7 | 8B | 121 BPM | ||
| I Call It Love | Mel McDaniel, Oklahoma Wind | F♯ Major | 4 | 2B | 79 BPM | ||
| Jesus Was a Cowboy | The Brady Wilson Band | D Major | 2 | 10B | 122 BPM | ||
| Bobbie Ann Mason | Rick Trevino | F♯ Major | 5 | 2B | 117 BPM | ||
| Tight As Twin Fiddles | Vern Gosdin | G Major | 4 | 9B | 175 BPM | ||
| Hot Time In Old Town Tonight | Mel McDaniel | F♯ Major | 7 | 2B | 136 BPM | ||
| No Ordinary Man | Tracy Byrd | D Major | 5 | 10B | 86 BPM | ||
| Oklahoma Hills | Hank Thompson | G Major | 5 | 9B | 106 BPM | ||
| Boney Fingers | Hoyt Axton | F Major | 8 | 7B | 168 BPM | ||
| Night Rider's Lament | R.W. Hampton | A Major | 2 | 11B | 72 BPM | ||
| From Whence Came the Cowboy | Sons Of The San Joaquin | A Minor | 3 | 8A | 97 BPM | ||
| Outskirts Of Town | Sawyer Brown | F♯ Major | 3 | 2B | 125 BPM | ||
| If the World Had a Front Porch | Tracy Lawrence | C Major | 7 | 8B | 163 BPM | ||
| Thank The Cowboy For The Ride | Chris LeDoux | G Major | 5 | 9B | 87 BPM | ||
| Why Didn't I Think of That | Doug Stone | D Major | 6 | 10B | 121 BPM | ||
| Three or Four Times a Day | Vern Gosdin | F Major | 5 | 7B | 169 BPM | ||
| Jaded Lover | Owen Temple | D Major | 6 | 10B | 141 BPM | ||
| So You Want To Be A Cowboy - 24-Bit Digitally Remastered 04 | Chris LeDoux | E Major | 7 | 12B | 105 BPM | ||
| Gold Buckles | Austin Wahlert | C Major | 5 | 8B | 114 BPM | ||
| Don't Call Him a Cowboy | Conway Twitty | F Major | 3 | 7B | 77 BPM |