Zach Lemmon's 'Getting Past The Hurt' had a release date set for March 4, 2020. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Getting Past The Hurt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 16 in Contrasts by Various Artists. The popularity of Getting Past The Hurt is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Getting Past The Hurt by Zach Lemmon is Presto (very, very fast), since this song has a tempo of 186 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bad Love | Alexander Rudd, Zach Lemmon | D Major | 4 | 10B | 139 BPM | ||
| En Forræder Villeder | Raymond Enoksen, Christian Norum | C Minor | 3 | 5A | 80 BPM | ||
| What Have You Done? | Oleksa Lozowchuk, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Bedtime Story | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Barbosa Chillin | Torin Borrowdale | A Major | 2 | 11B | 81 BPM | ||
| Part of the Ocean | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg | A Major | 3 | 11B | 82 BPM | ||
| Creatures | Tofik Mikayilzade, MirBala | B Minor | 3 | 10A | 135 BPM | ||
| Flagship Confrontation I | Oleksa Lozowchuk, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Fuentes De Poder | Valores Especiales | B Minor | 1 | 10A | 95 BPM | ||
| Oportunidades | Hombres De Marte | B♭ Minor | 3 | 3A | 170 BPM | ||
| All the Great Philanthropists of Our Time Are Businessmen | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Incantesimo | Sagrifizio | D♭ Major | 0 | 3B | 86 BPM | ||
| Bobbing Along | Marco Beltrami, Brandon Roberts | A Minor | 2 | 8A | 94 BPM | ||
| El Segundo Error | Valores Especiales | A Minor | 0 | 8A | 102 BPM | ||
| Echoes in the Sky | Emily Parker | F Minor | 5 | 4A | 75 BPM | ||
| San Pietro | Martin Madrazo, Martin Lamo | C Major | 4 | 8B | 90 BPM | ||
| Ya Es Demasiado Tarde | Valores Especiales | A Minor | 2 | 8A | 135 BPM | ||
| Inner Workings | Zach Lemmon | B Major | 2 | 1B | 106 BPM | ||
| Forgotten Memories | Zach Lemmon, Alexander Rudd | E Minor | 1 | 9A | 120 BPM | ||
| Utopia | Aleksey Voron | F Major | 5 | 7B | 105 BPM | ||
| Requiem for the American Dream Theme | Malcolm Francis | D♭ Minor | 4 | 12A | 75 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| Requiem Varus | Ali N. Askin | D♭ Minor | 9 | 12A | 120 BPM | ||
| Constant Challenger | Zach Lemmon | A Major | 5 | 11B | 80 BPM |