"Que ferons-nous" by Constantijn Huygens, Camerata Trajectina had its release date on August 19, 2002. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Que ferons-nous's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Constantijn Huygens, Camerata Trajectina's "Huygens: Dutch Music in the 17th Century" album is number 6 out of 24. In terms of popularity, Que ferons-nous is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Que ferons-nous by Constantijn Huygens, Camerata Trajectina to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite de piece No. 1 in E Minor, Op. 11: I. Prelude. Lentement | Joseph Bodin de Boismortier, Mindy Rosenfeld, Ronn McFarlane | E♭ Minor | 0 | 2A | 81 BPM | ||
| Rosary Sonata No. 2 in A Major "Mariæ Heimsuchung": I. Sonata | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | D♭ Minor | 2 | 12A | 79 BPM | ||
| In The Church of Leon... : Canten dos Jilguerillos | Francisco Escalada, Arianna Savall, La Fenice, Jean Tubéry | E Minor | 2 | 9A | 118 BPM | ||
| Voi luci altere | Francesca Campana, Les Kapsber'girls | F♯ Minor | 1 | 11A | 79 BPM | ||
| Vespro della Beata Vergine, SV 206: II. Dixit dominus | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | D Minor | 3 | 7A | 101 BPM | ||
| Pathodia sacra 5 (1647) | Constantijn Huygens, Wilke te Brummelstroete, Siebe Henstra, Mike Fentross, Mieneke van der Velden | D♭ Minor | 0 | 12A | 86 BPM | ||
| Dominus regnavit: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 62 BPM | ||
| Strozzi: L’amante segreto (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | C Major | 2 | 8B | 118 BPM | ||
| A la fin cette bergère | Antoine Boësset, Paul Figuier, Les Bacchantes, Ronan Khalil | B Major | 1 | 1B | 74 BPM | ||
| 42 Chansons musicales a troys parties: No. 12, Amy, souffrés - Version from the "Très brève et familière Introduction" - No. 10 | Pierre Moulu, Hopkinson Smith, Sophie Klussmann | G Minor | 0 | 6A | 79 BPM | ||
| Noëls sur les instruments, H. 534: No. 6, Une jeune pucelle | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 2 | 5A | 83 BPM | ||
| Pathodia sacra et profana (Excerpts): No. 17, De profundis clamavi | Constantijn Huygens, Cyril Auvity, Marie van Rhijn, Myriam Rignol | D♭ Major | 1 | 3B | 130 BPM | ||
| Missa Circumcisionis, ZWV 11: Qui sedes ad dexteram Patris | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | D♭ Minor | 2 | 12A | 79 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
| Facultad organica: No. 13, Tiento de primero tono, FO 13 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Emily — No Prisoner Be: No. 18, So set its Sun in Thee | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 2 | 12A | 79 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Couperin, L: Simphonie par Mr. Couperin en la mineur | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Pathodia Profana: Pathodia Profana: Quoy Clorinde tu pars | Constantijn Huygens, Wilke te Brummelstroete, Nico Van Der Meel, Siebe Henstra, Mike Fentross, Mieneke van der Velden | D♭ Minor | 1 | 12A | 128 BPM | ||
| Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
| Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Minor | 2 | 12A | 79 BPM | ||
| De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 94 BPM | ||
| Handel: Mi palpita il cor, HWV 132c: VI. Aria. "Se un dì m’adora la mia crudele" | George Frideric Handel, Philippe Jaroussky, Artaserse | F♯ Major | 3 | 2B | 124 BPM |