Trails & Rails's ' "To Morrow" was released on its scheduled release date, 2003. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "On Track". In this album, this song's track order is #11. Based on our statistics, To Morrow's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With To Morrow by Trails & Rails having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Through the Pain | Waddie Mitchell | G Major | 1 | 9B | 93 BPM | ||
| We Are Coming Father Abraam | Cumberland Blues | A Major | 5 | 11B | 124 BPM | ||
| The Lumbercamp Song | The Wakami Wailers | D Minor | 3 | 7A | 127 BPM | ||
| Now That I Have Accepted Your Love | Red Steagall And The Boys In The Bunkhouse | A Major | 5 | 11B | 143 BPM | ||
| Arowsic | David Mallett | D Major | 3 | 10B | 96 BPM | ||
| The Jewel of Paris | Nathan Rogers | E♭ Major | 5 | 5B | 177 BPM | ||
| Camp Song Of The Chicago Irish Brigade | David Kincaid | F Major | 3 | 7B | 116 BPM | ||
| Out In New Mexico | Johnny Horton | A Major | 5 | 11B | 93 BPM | ||
| Tumblin' Gap | New Railroad | D Major | 5 | 10B | 114 BPM | ||
| Penitentiary Blues (Original Starday Recording) | Charlie Monroe | G Major | 8 | 9B | 114 BPM | ||
| When It's Springtime in Alaska (It's Forty Below) | Johnny Horton | E Major | 2 | 12B | 85 BPM | ||
| Down That River Road | Johnny Horton | E Major | 4 | 12B | 88 BPM | ||
| The Southern Soldier | Wayne Erbsen | D♭ Major | 5 | 3B | 102 BPM | ||
| Horse Soldiers - Bonnie Blue Flag - Version 1 | Charles Henderson | B♭ Major | 5 | 6B | 107 BPM | ||
| Rides for the Brand | Trinity Seely | B Major | 6 | 1B | 107 BPM | ||
| Ruby Ridge (feat. Tatiana Hargreaves) | The Ephemeral Stringband, Tatiana Hargreaves | E Major | 4 | 12B | 116 BPM | ||
| A Cowboy Hat | Trinity Seely | A♭ Major | 5 | 4B | 209 BPM | ||
| Was My Brother In The Battle | Kate & Anna McGarrigle | D Major | 1 | 10B | 77 BPM | ||
| Follow Washington (George Washington) | Oscar Brand | A Major | 4 | 11B | 202 BPM | ||
| My Crazy Shadows | Steve Stein | E Major | 5 | 12B | 114 BPM | ||
| The Ballad of the Green Berets | Hank Cramer | A Major | 2 | 11B | 87 BPM | ||
| I'd Like to Be in Texas, For the Roundup in the Spring | Riders in the Sky & Wilford Brimley | G Major | 3 | 9B | 117 BPM | ||
| Especially A Paint | Corb Lund | F Major | 4 | 7B | 86 BPM | ||
| Down Yonder | Doc & Merle Watson, T. Michael Coleman | G Major | 7 | 9B | 142 BPM | ||
| Pat Murphy of Meagher's Brigade | David Kincaid | B♭ Major | 3 | 6B | 90 BPM |