"7," by BILLY HOWARD had its release date on September 6, 2023. 7, is considered explicit and may contain foul language. This song is about 3 minutes and 21 seconds, which is about the average length of a typical song. The track order of this song in BILLY HOWARD's "How Everything Ends" album is number 7 out of 11. In terms of popularity, 7, is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 7, by BILLY HOWARD to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sparklebaby | Whitelands, Emma Anderson | B Minor | 7 | 10A | 111 BPM | ||
| Good Times | Deth | D Major | 3 | 10B | 91 BPM | ||
| Future | Lilywhite | A Major | 7 | 11B | 126 BPM | ||
| Despair | The Patrollers | A Minor | 8 | 8A | 147 BPM | ||
| Catherine Wheels - Acoustic | CQ Wrestling | C Major | 4 | 8B | 51 BPM | ||
| Threats | Bellhead | A♭ Major | 8 | 4B | 140 BPM | ||
| Warning Signs | Fright Years | A♭ Minor | 7 | 1A | 135 BPM | ||
| Ask // Receive | elitefitrea | D♭ Major | 4 | 3B | 110 BPM | ||
| Fallin Back | ave | G Major | 7 | 9B | 115 BPM | ||
| Bored - Unplugged | Return to Dust | B Minor | 7 | 10A | 111 BPM | ||
| Morbid Excuses | BILLY HOWARD | F♯ Major | 1 | 2B | 88 BPM | ||
| Dreaming of Tennessee | Empty Kodiak | B Minor | 7 | 10A | 111 BPM | ||
| Burnin' Like a Coal - Redux | The Writing South, Bronwyn Crowe | E Major | 1 | 12B | 146 BPM | ||
| Moments | Mercury Teardrop | A♭ Major | 7 | 4B | 103 BPM | ||
| Sloe | Private Wives | B Minor | 7 | 10A | 111 BPM | ||
| Sireness | Mary Malu | B Minor | 7 | 10A | 111 BPM | ||
| When It Comes To Rain | BILLY HOWARD | D Minor | 3 | 7A | 79 BPM | ||
| bar | a.gris | B Minor | 7 | 10A | 111 BPM | ||
| 4T | Frank On Tap | F Major | 5 | 7B | 142 BPM | ||
| Darabokban - Mély Verzió | Vad Fruttik | A Major | 6 | 11B | 164 BPM | ||
| Thorns and All | Silversun Pickups | B Minor | 7 | 10A | 111 BPM | ||
| Ordinary People | New Miserable Experience | B Minor | 7 | 10A | 111 BPM | ||
| Lonely Girl | Flickerstick | E♭ Major | 8 | 5B | 122 BPM | ||
| Goodbye (Part 2) | Midnight Gallery | B Minor | 7 | 10A | 111 BPM | ||
| Dear You | BILLY HOWARD | B♭ Major | 1 | 6B | 140 BPM |