Michael Nyman Band, Royal Liverpool Philharmonic Orchestra's 'Jack the Ripper Stalks His Victims: MGV 1st Region' had a release date set for June 8, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Nyman, Michael Nyman Band's "McQueen" album is number 4 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Jack the Ripper Stalks His Victims: MGV 1st Region's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Jack the Ripper Stalks His Victims: MGV 1st Region by Michael Nyman Band, Royal Liverpool Philharmonic Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fearful Symmetries - excerpt | John Adams | D♭ Major | 0 | 3B | 112 BPM | ||
| Quartet No.3 The Way of 1000 and One Comet: Allegretto, The Sky Seen from the Moon | Ezio Bosso, Turin String Quartet | A Minor | 2 | 8A | 104 BPM | ||
| Postlude of Conclave | Volker Bertelmann | D Minor | 5 | 7A | 150 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| L’Antica Pesa | Paolo Buonvino | C Minor | 2 | 5A | 140 BPM | ||
| Pines and Flowers | Ezio Bosso | A♭ Major | 5 | 4B | 115 BPM | ||
| Tram | Oliver Coates | B♭ Minor | 0 | 3A | 70 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| Asyla, Op. 17: III. Ecstasio | Thomas Adès, London Symphony Orchestra | G Major | 3 | 9B | 130 BPM | ||
| Zurich | Jóhann Jóhannsson, Echo Collective | E Minor | 2 | 9A | 130 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Motivation | Pascal Hautois | C Major | 3 | 8B | 125 BPM | ||
| Water Fields | Ryan Lott | G Major | 3 | 9B | 124 BPM | ||
| Prospectors Arrive | Jonny Greenwood | F Minor | 2 | 4A | 66 BPM | ||
| Una Patada en los Huevos | Alberto Iglesias | C Minor | 4 | 5A | 105 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Telegram | Edward Farmer, Martin Phipps | F Major | 3 | 7B | 105 BPM | ||
| Suspirium (Arr. Rimmer) | Jess Gillam, Jess Gillam Ensemble | D♭ Minor | 0 | 12A | 93 BPM | ||
| Inverno di Cecilia | Fabio Massimo Capogrosso | E Major | 1 | 12B | 68 BPM | ||
| Passacaglia - Allegro moderato | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 0 | 9B | 70 BPM | ||
| Ophelia | Kirill Richter | B Minor | 0 | 10A | 67 BPM | ||
| Robes De Couleur Merde | Warren Ellis | C Minor | 2 | 5A | 90 BPM | ||
| Peace - Original Mix | Elara Lilara | C Minor | 2 | 5A | 140 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| CNN Predicts a Monster Storm | Kronos Quartet, Laurie Anderson | D Major | 2 | 10B | 171 BPM |