Omar Rodríguez-López, John Frusciante's 'VTA' had a release date set for April 30, 2010. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Omar Rodríguez-López & John Frusciante". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, VTA's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With VTA by Omar Rodríguez-López, John Frusciante having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Locomocion Capilar | Omar Rodríguez-López | B Minor | 9 | 10A | 171 BPM | ||
| Jellyfish Sunrise | Daikaiju | F♯ Minor | 7 | 11A | 145 BPM | ||
| Loveless Road | Lilium | G Minor | 5 | 6A | 95 BPM | ||
| Kiwi Maddog 20/20 (Version 2) | Elliott Smith | F Major | 5 | 7B | 153 BPM | ||
| Faded Polaroids | Empty Halls | G Major | 4 | 9B | 129 BPM | ||
| The Restless Waves | Dirty Three | A Major | 1 | 11B | 106 BPM | ||
| Attention | Ataxia | B Major | 10 | 1B | 105 BPM | ||
| The Bird Returns | Trip the Witch | B Major | 2 | 1B | 126 BPM | ||
| While My Guitar Gently Weeps | Black Chamber | G Major | 4 | 9B | 117 BPM | ||
| Altered State | Truckfighters | F♯ Major | 2 | 2B | 136 BPM | ||
| Glenn | Slint | F Major | 5 | 7B | 139 BPM | ||
| Nadha | Los Natas | B Major | 1 | 1B | 80 BPM | ||
| Coma Pony | Omar Rodríguez-López Quintet | C Minor | 8 | 5A | 137 BPM | ||
| Lágrimas Negras | Hermanos Gutiérrez | D Minor | 6 | 7A | 182 BPM | ||
| Interlude 1 | maudlin of the Well | G Major | 2 | 9B | 76 BPM | ||
| Hello | The Rite Band | G Major | 6 | 9B | 168 BPM | ||
| Tira Me a Las Aranas | The Mars Volta | A Minor | 3 | 8A | 133 BPM | ||
| Snake Eyes | John Paul Jones | B Minor | 6 | 10A | 103 BPM | ||
| Hosianna-Mantra | Popol Vuh | F Minor | 4 | 4A | 170 BPM | ||
| Theme With Noise | Sonic Youth | B Major | 2 | 1B | 99 BPM | ||
| Court Order | John Garcia | A Major | 2 | 11B | 97 BPM | ||
| Untitled #6 | John Frusciante | B Major | 4 | 1B | 175 BPM | ||
| Another | Ataxia | C Major | 3 | 8B | 75 BPM | ||
| Omens And Portents II: Carrion Crow | Earth | E♭ Major | 4 | 5B | 94 BPM | ||
| Windsong | Black Merda! | D Major | 4 | 10B | 141 BPM |