Ralph Benatzky, Gitta Lind, Franz Fehringer, Gretl Schörg's ' "Im weissen Rössl: Dialog (Ottilie, Siedler, Josepha)" was released on its scheduled release date, January 22, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 27 out of 33 in Benatzky: Im weissen Rössl by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Willy Hofmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Im weissen Rössl: Dialog (Ottilie, Siedler, Josepha) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Im weissen Rössl: Dialog (Ottilie, Siedler, Josepha) by Ralph Benatzky, Gitta Lind, Franz Fehringer, Gretl Schörg is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
| Vino, mujeres y canciones, Op. 333 | Orquesta De Conciertos Vienesa, Alfred Scholz | B♭ Major | 3 | 6B | 181 BPM | ||
| My Fair Lady: In Der Strasse, Mein Schatz, Wo Du Lebst | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Sonja Ziemann, Diverse Saenger Und Saengerinnen, Friedrich Schoenfelder | C Major | 3 | 8B | 96 BPM | ||
| Im weissen Rössl: Dialog (Siedler, Josepha) | Ralph Benatzky, Franz Fehringer, Gretl Schörg | E♭ Major | 5 | 5B | 121 BPM | ||
| Do-Re-Mi - From "The Sound of Music" | Richard Rodgers, Vienna Boys' Choir, Peter Marschik | B♭ Major | 5 | 6B | 110 BPM | ||
| Frau Luna: Folies-Bergère-Marsch | Rundfunkorchester des Südwestfunks Kaiserslautern, Emmerich Smola | C Major | 5 | 8B | 127 BPM | ||
| Waldteufel Waltzes | Émile Waldteufel, Erich Kunzel, Cincinnati Pops Orchestra | A Major | 1 | 11B | 174 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| Viennese Bon - Bons | Orchestra The Spv | F Major | 1 | 7B | 183 BPM | ||
| Mein Liebeslied muss ein Walzer sein | Robert Stolz, André Rieu | C Major | 5 | 8B | 78 BPM | ||
| Radetzky March | Johann Strauss | A Major | 5 | 11B | 107 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| The White Horse Inn | Ralph Benatzky, Robert Stolz, André Rieu, Johann Strauss Orchestra | B♭ Major | 4 | 6B | 77 BPM | ||
| Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | N/A | N/A | N/A | 0 BPM | ||
| Teil 18 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | D Major | 1 | 10B | 105 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Einen wie dich konnt ich lieben | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Bavarian Radio Symphony Orchestra, Eugen Jochum | F Major | 2 | 7B | 92 BPM | ||
| Adieu, mein kleiner Gardeoffizier (und eines Tages mit Sang und Klang) | Richard Tauber | E♭ Major | 3 | 5B | 119 BPM | ||
| L'Auberge du Cheval Blanc: Dialogue 7 | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Fernand Sardou, Bernard Plantey, Jack Claret, Luc Barney, Huguette Boulangeot, Colette Riedinger, Simone Sully, Wilma Luchini, Sam Max, Jacky Gencel, Valdy Vallee, J. Herbe | D Major | 4 | 10B | 73 BPM | ||
| Heut' kommen d'Engerln auf Urlaub nach Wean | Franz Ferry Wunsch, André Rieu, Johann Strauss Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Was gleicht wohl auf Erden dem Jägervergnügen (Der Freischütz: Jägerchor, 3.Akt) - 1990 Remastered Version | Carl Maria von Weber, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger, Orchester der Bayerischen Staatsoper | D Major | 3 | 10B | 109 BPM | ||
| "Im Prater blühn wieder die Bäume" | Robert Stolz, Fritz Wunderlich, Wiener Staatsopernchor, Vienna Volksoper Orchestra | F Major | 3 | 7B | 80 BPM | ||
| Persischer Marsch | Johann Strauss Orchester | G Minor | 3 | 6A | 117 BPM | ||
| Immer nur lächeln (From "Das Land des Lächelns") | Rudolf Schock | D Major | 1 | 10B | 80 BPM |