Mark Richardson's ' "Ceratopsia" was released on its scheduled release date, April 23, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 3 in Dinosaur by Mark Richardson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ceratopsia's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ceratopsia by Mark Richardson is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | A Major | 1 | 11B | 61 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| West Side Story: IV. The Dance at the Gym - Meeting Scene | Leonard Bernstein, Nina Bernstein, Alexander Bernstein | A Minor | 0 | 8A | 85 BPM | ||
| 15. Oh, men of dark and dismal fate | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F Major | 1 | 7B | 109 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| West Side Story: XI. The Rumble | Leonard Bernstein, Leonard Bernstein Orchestra | G Minor | 4 | 6A | 197 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| Porter: Seven Lively Arts: "Drink" | Cole Porter, Thomas Hampson, Ambrosian Chorus, London Symphony Orchestra, John McGlinn | C Major | 4 | 8B | 142 BPM | ||
| Peter and the Wolf, Op. 67: No Sooner Had Peter Gone, Than a Big Grey Wolf Came out of the Forest | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | F Major | 2 | 7B | 106 BPM | ||
| Here Comes The Morning | Iain Glen, Matt Rawle | F♯ Major | 2 | 2B | 62 BPM | ||
| Carmen, Act IV: Qu'avez-vous fait de la Carmencita? – March & Chorus. Les voici! les voici! | Georges Bizet, Jean-Noel Sissia, Isabelle Karajan, David Clair, Claudine Coster, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Choeur de l'Opéra de Paris, Walter Hagen-Groll | F Minor | 1 | 4A | 95 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| Processional / Maria - 1965 Original Soundtrack Version | Buddy Cole, Irwin Kostal | C Major | 2 | 8B | 157 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 2 | 8B | 99 BPM | ||
| Turandot / Act 2: Gelo che ti da foco | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Sir Peter Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Minor | 2 | 4A | 77 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Amis, interrompez vos danses et vos jeux" (Zurga, Chœur, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 101 BPM | ||
| Peter and the Wolf, Op. 67: Early One Morning, Peter Opened the Gate and Went out into the Big Green Meadow | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 79 BPM | ||
| The Deadwood Stage | Debbie Gravitte | D Major | 2 | 10B | 86 BPM | ||
| Oklahoma!, Act 1: No. 9, Many a New Day | Richard Rodgers, Sierra Boggess, Sandra Marvin, 'Oklahoma!' Ensemble, Sinfonia Of London, John Wilson | D Major | 1 | 10B | 129 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Cantiamo, facciam brindisi" (Belcore, Dulcamara, Giannetta, Adina, Coro) | Gaetano Donizetti, Marcello Viotti, Bruno Praticò, Francesca Provvisionato, Mariella Devia, Pietro Spagnoli, Tallis Chamber Choir, English Chamber Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
| Supernova | Mark Richardson | F Minor | 9 | 4A | 140 BPM | ||
| Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | ||
| HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM |