Mostly Six Eight - Bonus Track
Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma
The Goat Rodeo Sessions
4:40 October 24, 2011
BPM
78
Key
D Minor
Camelot
7A

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Mostly Six Eight - Bonus Track by Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma Song Details

Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma's 'Mostly Six Eight - Bonus Track' had a release date set for October 24, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Goat Rodeo Sessions". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Mostly Six Eight - Bonus Track is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Mostly Six Eight - Bonus Track by Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.3 dB
Acousticness
87%
Danceability
40%
Energy
9%
Instrumentalness
53%
Liveness
32%
Loudness
73%
Speechiness
3%
Valence
26%

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ISRC
USSM11105065
Label
L-M Records/RCA Records