"The Implant - Alternate Opening" by Jerry Goldsmith had its release date on January 1, 1990. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. The Implant - Alternate Opening's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Total Recall (25th Anniversary Original Motion Picture Soundtrack)". In this album, this song's track order is #39. Based on our statistics, The Implant - Alternate Opening's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Implant - Alternate Opening by Jerry Goldsmith having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| The Anvil of Crom (Form "CONAN THE BARBARIAN") | Basil Poledouris | G Minor | 4 | 6A | 123 BPM | ||
| The Patriot (Main Theme) | Starlite Orchestra & Singers | C Major | 3 | 8B | 81 BPM | ||
| Chekov's Run | Leonard Rosenman | F Minor | 3 | 4A | 136 BPM | ||
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | D Minor | 4 | 7A | 83 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Lawrence Of Arabia: Theme | London Festival Orchestra, Stanley Black | A Major | 3 | 11B | 168 BPM | ||
| Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" | Leonard Rosenman, Cliff Eidelman, Seattle Symphony Orchestra | G Minor | 3 | 6A | 108 BPM | ||
| Camel Race | Jerry Goldsmith | B♭ Major | 2 | 6B | 96 BPM | ||
| The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Vapor | Mesyrea | F Minor | 6 | 4A | 154 BPM | ||
| Spooner Spills | Marco Beltrami | D Minor | 2 | 7A | 99 BPM | ||
| Resurrection | Christopher Young | A♭ Minor | 2 | 1A | 108 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM | ||
| The Mountain | Jerry Goldsmith | A Major | 1 | 11B | 75 BPM | ||
| Lightning Strikes | Rupert Gregson-Williams | D Major | 4 | 10B | 94 BPM | ||
| Kristallnacht | Ilan Eshkeri | G Minor | 2 | 6A | 105 BPM | ||
| Back To The Future Overture | The Outatime Orchestra | B Major | 6 | 1B | 135 BPM | ||
| Jumping The Ravine | Dennis McCarthy | C Major | 2 | 8B | 115 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| Indiana Jones and the Temple of Doom | Royal Philharmonic Orchestra | B♭ Major | 6 | 6B | 176 BPM | ||
| Main Title | Leonard Rosenman | G Minor | 4 | 6A | 119 BPM | ||
| Angel | Emnanyll | B Minor | 1 | 10A | 105 BPM | ||
| Main Title | Basil Poledouris | B♭ Major | 4 | 6B | 100 BPM |