"Trash On The Road" by Thomas Newman had its release date on January 1, 2011. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Help (Original Motion Picture Score)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Trash On The Road's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trash On The Road by Thomas Newman having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruth's Legacy | Mark Isham | E Minor | 1 | 9A | 74 BPM | ||
| The Hardest Job | Theodore Shapiro | C Major | 0 | 8B | 96 BPM | ||
| The Whirling Ways of Stars that Pass | Jóhann Jóhannsson | E Minor | 1 | 9A | 102 BPM | ||
| To the Ball | Adrian Johnston | E♭ Major | 1 | 5B | 83 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Echoes in Time | Astrid Voix | A♭ Major | 0 | 4B | 96 BPM | ||
| Lúthien Tinúviel | Thomas Newman | E♭ Major | 0 | 5B | 75 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Creating Rain | Benjamin Wallfisch | F Major | 2 | 7B | 118 BPM | ||
| Within Our Power | Steven Price | D Major | 2 | 10B | 106 BPM | ||
| Travel Montage | John Debney | D Major | 2 | 10B | 102 BPM | ||
| A Dangerous Path | The Chamber Orchestra Of London | G Minor | 2 | 6A | 80 BPM | ||
| An Army Against One Man | Anne Dudley, Skaila Kanga, The Chamber Orchestra Of London, London Chamber Orchestra | C Minor | 3 | 5A | 63 BPM | ||
| Marlo and Ray | Nathan Barr | D Minor | 0 | 7A | 73 BPM | ||
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| White House Down Opening Theme | Thomas Wander, Harald Kloser | F Major | 2 | 7B | 77 BPM | ||
| No Exit | W.G. Snuffy Walden | E Minor | 2 | 9A | 179 BPM | ||
| Cup Reminders | Theodore Shapiro, Mark Graham | C Major | 0 | 8B | 80 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Walk Through Darkness | Alex Wurman | E♭ Major | 1 | 5B | 65 BPM | ||
| Disappointment | Mike Mogis, Nathaniel Walcott | G Minor | 0 | 6A | 135 BPM | ||
| The Egg Arrives | Alex Wurman | A Major | 3 | 11B | 138 BPM | ||
| Beauty of Aguillus Sands | BBC Concert Orchestra, Sarah Class | C Major | 4 | 8B | 66 BPM |