Paul Hindemith, Rundfunk-Kinderchor Leipzig, Rundfunk-Instrumental Ensemble, Hans Sandig's ' "Wir bauen eine Stadt: VI. Musik. "Ankommende Leute"" was released on its scheduled release date, August 1, 2013. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Rundfunk-Sinfonieorchester Leipzig, Dresdner Philharmonie, Herbert Kegel, Staatskapelle Dresden, Otmar Suitner, Rundfunk-Vorschulkinderchor Leipzig, Kleiner Rundfunk-Kinderchor Leipzig, Rundfunk-Instrumental Ensemble, Hans Sandig, Alfred Lipka, Davia Binder, Ludwig Güttler, Eckart Konigstedt, Ralf-Carsten Bromsel, Walter Hartwich, Herbert Schneider, Gerd Grötzschel's "Hindemith: Orchestral Music" album is number 40 out of 59. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Wir bauen eine Stadt: VI. Musik. "Ankommende Leute"'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wir bauen eine Stadt: VI. Musik. "Ankommende Leute" by Paul Hindemith, Rundfunk-Kinderchor Leipzig, Rundfunk-Instrumental Ensemble, Hans Sandig to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| Symphonic Metamorphosis after Themes by Carl Maria von Weber (Arr. for Wind Ensemble): IV. Marsch | Paul Hindemith, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 3 | 6B | 73 BPM | ||
| String Quartet no.2, op.10: 1. Allegro | Zoltán Kodály, Hagen Quartett | D Minor | 1 | 7A | 79 BPM | ||
| Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | B♭ Major | 2 | 6B | 146 BPM | ||
| Préludes: I. La colombe | Olivier Messiaen, Jan Lisiecki | E Major | 0 | 12B | 68 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | B♭ Major | 2 | 6B | 146 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Organ Concerto in G Minor, FP 93: V. Tres calme. Lent | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 0 | 7B | 169 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | ||
| No. 2, Choral. Poco più lento | César Franck, Jean-Pierre Armengaud | D♭ Minor | 0 | 12A | 126 BPM | ||
| Beni Mora - Oriental Suite H107 (Op. 29 No. 1) (2004 - Remaster): Second Dance (Allegretto) | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | E Minor | 1 | 9A | 134 BPM | ||
| Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | B♭ Major | 2 | 6B | 146 BPM | ||
| Dutilleux: Sonatina for Flute and Piano: III. Animé | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | F Major | 1 | 7B | 115 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 66 BPM | ||
| The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: II. Scherzo (Allegro molto) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Von Einem: String Quartet No. 1, Op. 45: II. Adagio molto | Alban Berg Quartett | B♭ Major | 2 | 6B | 146 BPM | ||
| Clairières dans le ciel für Sopran und Klavier: No. 8, Vous m'avez regardé avec toute votre âme - 1914 | Lili Boulanger, Ehrbar Ensemble, Gerrit Zitterbart, Heidrun Blase | N/A | N/A | N/A | 0 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| II. Langsame Viertel - Lebhaft. Pizzikato - Wieder wie früher | Paul Hindemith, Nobuko Imai | G Major | 1 | 9B | 172 BPM |