Raghavendra Acharya Jansale's ' "Kantha Ba" was released on its scheduled release date, March 7, 2022. This song appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Raghava Raga Madhurya, Vol. 2". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Kantha Ba's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Kantha Ba by Raghavendra Acharya Jansale having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shiv Manas Puja | Naynesh Jani | C Major | 3 | 8B | 132 BPM | ||
| Ranganayaka | Raghavendra Acharya Jansale | D♭ Minor | 6 | 12A | 131 BPM | ||
| Shree Chakravasini | Pramod, Pradeep | A Minor | 7 | 8A | 146 BPM | ||
| Charanam Charanam | Veeramanidaasan | D♭ Major | 8 | 3B | 150 BPM | ||
| Laali Adida Ranga | Sri Vdyabhushan Teertha Swamiji | G Major | 5 | 9B | 126 BPM | ||
| Kaliyugadolu Harinaamava | Venkatesh Kumar | F♯ Major | 6 | 2B | 95 BPM | ||
| Mangala Mahimane | Narasimha Naik | C Major | 6 | 8B | 163 BPM | ||
| Thiruvilakke | Bombay Saradha | G Minor | 4 | 6A | 130 BPM | ||
| Ramana Kel | Raghavendra Acharya Jansale | F Minor | 6 | 4A | 111 BPM | ||
| Aadurar | Karumari Karna | A♭ Minor | 8 | 1A | 86 BPM | ||
| Jaya Jaya | Ananthkumar | C Minor | 6 | 5A | 188 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM | ||
| Ennappaney | Raja Rajacholan | D Major | 6 | 10B | 91 BPM | ||
| Om Shiva | Badaga Tunes | G Minor | 6 | 6A | 124 BPM | ||
| O Ani Kha Kobor | Sanjita Debbarma, Sourabhee Debbarma, Bhabatosh Debbarma | C Major | 5 | 8B | 121 BPM | ||
| Chikkallurige Banni | Surekha, Shamitha | D Major | 5 | 10B | 100 BPM | ||
| Thande Thayigalesto (Dhaniya Nodideno) | Mysore Ramachandrachar | E♭ Minor | 6 | 2A | 159 BPM | ||
| Muudada Mogadavane | Manu, Narasihma Nayak, Madhu Balakrishnan, Ramesh Chandra | F Major | 5 | 7B | 95 BPM | ||
| Surti Ma Tor Suratiya (Kantikartik) CG Song | OP Dewangan | E Minor | 8 | 9A | 138 BPM | ||
| Yelu Kollada Yellamma | Sri Rangini, Chethan, Hamsalekha, Soundarya, Jayaprada, Saikumar, Prema | B Minor | 5 | 10A | 111 BPM | ||
| Sri Nrusimha Mruthimjaya Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | E Minor | 4 | 9A | 115 BPM | ||
| Deepostava Laskha Deepostava | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | D♭ Major | 8 | 3B | 116 BPM | ||
| Guruvaara Bandiruve | Puttur Narasimha Nayak | A♭ Minor | 7 | 1A | 105 BPM | ||
| Mugalakoda Guruva | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | A♭ Major | 9 | 4B | 155 BPM | ||
| Jogula Baviyalli Jalaka Madi | Shabbir Dange, Sujatha Dutt | D Major | 8 | 10B | 132 BPM |