"Cuffed in Time" by Shayn Bennett, Amadea Music Productions had its release date on March 24, 2025. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Cuffed in Time's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Shayn Bennett, Amadea Music Productions's "Getting Away with Murder" album is number 2 out of 10. On top of that, Bulgaria appears to be the country where this track was created. Based on our statistics, Cuffed in Time's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cuffed in Time by Shayn Bennett, Amadea Music Productions to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fable | Ryan Taubert | C Minor | 3 | 5A | 120 BPM | ||
| Wounds of Faith | Al Nasheeds | E♭ Major | 4 | 5B | 182 BPM | ||
| Vladimirs Blues | Gav Moran | A♭ Major | 2 | 4B | 186 BPM | ||
| Inner Storm | Hoenix, Anne-Charlotte Montville | D♭ Major | 4 | 3B | 110 BPM | ||
| First Sign of Decay | Wuthering Waves, baitian, jkinss | D Major | 7 | 10B | 170 BPM | ||
| Slammer | Jamin Winans | B♭ Major | 6 | 6B | 100 BPM | ||
| In All Its Splendor | Joris de Man | A♭ Major | 3 | 4B | 160 BPM | ||
| We Do Not Know | Atli Örvarsson | C Minor | 2 | 5A | 93 BPM | ||
| Grave Result | Shayn Bennett, Click Clock | A Major | 9 | 11B | 175 BPM | ||
| The Equalizer | Harry Gregson-Williams | G Major | 4 | 9B | 139 BPM | ||
| Remember Me | Dan Deacon, Skylar Grey | F Major | 2 | 7B | 167 BPM | ||
| Breaking South | Yago Mann, Shayn Bennett | D Major | 5 | 10B | 120 BPM | ||
| Train | Niklas Aman | B♭ Minor | 5 | 3A | 124 BPM | ||
| The Last Moments | Andre Albrecht | G Minor | 1 | 6A | 80 BPM | ||
| ARC Invasion | Patrik Andrén, Johan Söderqvist, Embark Studios | F♯ Major | 3 | 2B | 110 BPM | ||
| 不凍の怒濤 | Yu-Peng Chen, HOYO-MiX | G Minor | 4 | 6A | 158 BPM | ||
| Healing and Stealing | Harry Gregson-Williams, David Buckley | E Minor | 3 | 9A | 128 BPM | ||
| 1.4_4-exploitingtyrell.wav | Mac Quayle | G Minor | 2 | 6A | 133 BPM | ||
| Preparing The Arena | Stephen Barton | F Minor | 4 | 4A | 120 BPM | ||
| Layers Of The Mind | Breathe Love | F Minor | 1 | 4A | 63 BPM | ||
| The Funeral - From "Maxton Hall" | songs in cinema | D♭ Minor | 4 | 12A | 78 BPM | ||
| Severe Decision in Tyrol | Mitsch Kohn | B♭ Major | 1 | 6B | 126 BPM | ||
| Winterblossom | Alexei Zakharov | D Major | 3 | 10B | 91 BPM | ||
| The Grid | Daft Punk | D♭ Major | 5 | 3B | 102 BPM | ||
| Rising Sun | Fringe Element | F Minor | 5 | 4A | 200 BPM |