"After the Art - Pollock" by Donald Rubinstein had its release date on November 7, 2007. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 29 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, After the Art - Pollock is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of After the Art - Pollock by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maud's Theme | Adam Janota Bzowski | E Minor | 0 | 9A | 140 BPM | ||
| Psycho Contact Nr. 1 | Vampire Sound Inc., Sigi Schwab, Manfred Hübler | E Minor | 4 | 9A | 177 BPM | ||
| Wendy and Kay | Jason Hill | F Minor | 0 | 4A | 71 BPM | ||
| Poblacion | HEROXMAX | B♭ Minor | 3 | 3A | 90 BPM | ||
| Jody at Morningside / Just a Dream? | Fred Myrow, Malcolm Seagrave | C Major | 2 | 8B | 99 BPM | ||
| On the Way | Popol Vuh | A Major | 2 | 11B | 140 BPM | ||
| The New Ambassador | Jerry Goldsmith | D Major | 1 | 10B | 134 BPM | ||
| The Coven | Krzysztof Komeda | C Major | 3 | 8B | 89 BPM | ||
| Leed's House - From "Manhunter" Soundtrack | The Reds | A Minor | 0 | 8A | 119 BPM | ||
| End Credits (From "Phantasm II") | San Fernando Symphonic Assembly | D♭ Major | 6 | 3B | 131 BPM | ||
| Fantasies | Jason Hill | D♭ Major | 0 | 3B | 71 BPM | ||
| Hellbound Heart | Christopher Young | F Minor | 1 | 4A | 95 BPM | ||
| The Ring Of Fire | Wojciech Kilar | A Minor | 3 | 8A | 79 BPM | ||
| The Horns | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| How Come We Go Home | Mark Prechtwahn | B♭ Minor | 0 | 3A | 74 BPM | ||
| School at Night - Lullaby-Child Version | Claudio Simonetti, Massimo Morante, Fabio Pignatelli, Walter Martino | F Minor | 6 | 4A | 187 BPM | ||
| The Deer | Michael Abels | G Major | 1 | 9B | 99 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| Echoes of misfortune | Hermanos Ferrando | D Major | 2 | 10B | 92 BPM | ||
| Stealing The Code | Ben Salisbury, Geoff Barrow | D Major | 2 | 10B | 75 BPM | ||
| Think About Us | Keramet Boyukcol, Kukando | B♭ Major | 5 | 6B | 75 BPM | ||
| The Body | Ben Salisbury, Geoff Barrow | A♭ Minor | 1 | 1A | 87 BPM | ||
| Ash's Dream / Dancing Game / Dance of the Dead | Joseph Loduca | E♭ Minor | 3 | 2A | 119 BPM | ||
| Toxic Moon | SQÜRL | A Minor | 1 | 8A | 73 BPM | ||
| Graysmith | David Shire | F Major | 0 | 7B | 172 BPM |