The Armed Man - A Mass For Peace: XIII. Better Is Peace by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra Song Details

"The Armed Man - A Mass For Peace: XIII. Better Is Peace" by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra had its release date on 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #13. The Armed Man - A Mass For Peace: XIII. Better Is Peace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Armed Man - A Mass For Peace: XIII. Better Is Peace by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 24%
Loudness: -16.5 dB
Acousticness: 80%
Danceability: 35%
Energy: 34%
Instrumentalness: 0%
Liveness: 7%
Loudness: 72%
Speechiness: 5%
Valence: 13%

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