Mike Scott's ' "Long Way to the Light" was released on its scheduled release date, September 18, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 13 in Bring 'Em All In by Mike Scott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Long Way to the Light's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Long Way to the Light by Mike Scott is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kiss the Wind | Mike Scott | D Major | 1 | 10B | 95 BPM | ||
| Forgiveness Song | The Walkabouts | C Major | 4 | 8B | 113 BPM | ||
| Aspects | Paul Weller | B Minor | 4 | 10A | 164 BPM | ||
| Day After Tomorrow | Emily Barker, The Red Clay Halo | D Major | 1 | 10B | 94 BPM | ||
| God Only Knows | The Slow Show | E Minor | 3 | 9A | 86 BPM | ||
| Strange Boat - 2006 Remaster | The Waterboys | C Major | 7 | 8B | 106 BPM | ||
| Personal | Mike Scott | E Major | 2 | 12B | 146 BPM | ||
| Love Anyway | Mike Scott | E Major | 2 | 12B | 146 BPM | ||
| Pockets | Ruth Moody | B♭ Minor | 2 | 3A | 145 BPM | ||
| Weeping Wine | Lloyd Cole | A Major | 8 | 11B | 121 BPM | ||
| The World Is What You Make It | Paul Brady | D Major | 7 | 10B | 155 BPM | ||
| Valentine | Nils Lofgren | A Major | 4 | 11B | 98 BPM | ||
| Karr's Lament | Thea Gilmore | B Major | 3 | 1B | 120 BPM | ||
| Lullaby of London | The Pogues | C Major | 5 | 8B | 113 BPM | ||
| Born Too Late | Martyn Joseph | F♯ Major | 4 | 2B | 164 BPM | ||
| Bring 'Em All In | Mike Scott | B Major | 4 | 1B | 106 BPM | ||
| Most of the Time | Bob Dylan | C Major | 6 | 8B | 146 BPM | ||
| Long Way Home | Tom Waits | B♭ Major | 2 | 6B | 141 BPM | ||
| Latta's Dream | The Bathers | D Major | 4 | 10B | 90 BPM | ||
| Here Comes The Flood | Peter Gabriel | D♭ Minor | 1 | 12A | 174 BPM | ||
| Call Mother a Lonely Field | Jackie Leven | B Minor | 6 | 10A | 135 BPM | ||
| Closer To The Light | Bruce Cockburn | E Major | 2 | 12B | 150 BPM | ||
| The River Knows Your Name | John Hiatt | F Major | 3 | 7B | 125 BPM | ||
| Invisible to You | Mary Coughlan | A Major | 2 | 11B | 133 BPM | ||
| Goin' back to Harlan (Aka Appalachian Dream) | Kate & Anna McGarrigle | A Major | 7 | 11B | 161 BPM |