Anitha Krishna's ' "Thamizhukku Thalaivanana" was released on its scheduled release date, December 1, 1981. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 5 out of 29 in Divine Collections, Vol. 1 & 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Thamizhukku Thalaivanana is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Thamizhukku Thalaivanana by Anitha Krishna is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharanu Sharanu | Sri Vidyabhushana | F Major | 4 | 7B | 84 BPM | ||
| Maanaada Mazhuaada | D.V. Ramani | F Minor | 5 | 4A | 146 BPM | ||
| Shankarara Sthothrake | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F♯ Major | 4 | 2B | 172 BPM | ||
| Sree Kailasa | Kaithapram Viswanadh | A Major | 5 | 11B | 89 BPM | ||
| Tamboori Meetidava | Aradhya Rao | E♭ Minor | 6 | 2A | 150 BPM | ||
| Shanmukham Parvathiputram | B.Lakshmi Jogarao | D♭ Major | 3 | 3B | 95 BPM | ||
| Ambum Villum | Ganesh Sundaram | C Minor | 5 | 5A | 158 BPM | ||
| Neruppil Neeraaduvom | Tamileela Kaanankal | B♭ Minor | 5 | 3A | 83 BPM | ||
| Nee Mandiramlo | G. Anand | E Major | 5 | 12B | 142 BPM | ||
| Ashleshadali | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM | ||
| Baaro Manake | Sri Vidyabhushana | G Major | 6 | 9B | 88 BPM | ||
| Devadundubhulathoda | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Munula Tapamunade | G Balakrishna Prasad | F Minor | 6 | 4A | 174 BPM | ||
| Huli Karadi Kunidavo | L.N. Shastri | G Major | 6 | 9B | 150 BPM | ||
| Innita Inthata | G Balakrishna Prasad | B Major | 4 | 1B | 152 BPM | ||
| Emi Vaibhavamu Emi Rajasamu | SP Balasubramanyam | F♯ Minor | 8 | 11A | 105 BPM | ||
| Maamalai Meedil | Anitha Krishna | D Major | 7 | 10B | 163 BPM | ||
| Banniri Bega | Narashimha Nayak | F Major | 6 | 7B | 176 BPM | ||
| Ee Adaradali Sarigama Garigala | Rajesh Krishnan, Chitra, Rajesh Ramnath, S. Narayan | C Major | 2 | 8B | 183 BPM | ||
| Devi Thirunadayil | Ganesh Sundaram | G Minor | 7 | 6A | 172 BPM | ||
| Arathi Arathi | Rajesh Krishnan | D Major | 5 | 10B | 100 BPM | ||
| Angalamma Sengalamma | SAKTHI SHANMUGARAJA | C Major | 5 | 8B | 125 BPM | ||
| Amma Neegudilo Velege | A.Ramadevi | A Minor | 5 | 8A | 170 BPM | ||
| Raghvendra Yathi | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 80 BPM |