On May 23, 2012, the song "サンバ☆エロティカ" was released by Yu Sakai. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Yu Sakai's "How's it going?" album is number 9 out of 12. Based on our statistics, サンバ☆エロティカ's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of サンバ☆エロティカ by Yu Sakai to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| SOULS 2024 Shinichi Osawa ver. | bird | C Major | 4 | 8B | 164 BPM | ||
| Twenty-Twenty | First Love is Never Returned | D♭ Major | 7 | 3B | 95 BPM | ||
| 祈り | dawgss, salasa | E♭ Major | 5 | 5B | 96 BPM | ||
| Peach Melba | Toko Furuuchi | C Major | 4 | 8B | 129 BPM | ||
| みつめる愛で | Sing Like Talking | C Major | 8 | 8B | 108 BPM | ||
| Cruisin’ Crisin’ | bonobos | G Minor | 8 | 6A | 89 BPM | ||
| 春 | 新東京 | E Major | 7 | 12B | 140 BPM | ||
| Memory Lane | Tavito Nanao | A Major | 5 | 11B | 76 BPM | ||
| いつか晴れた日に | Junpei Shiina | D♭ Major | 4 | 3B | 115 BPM | ||
| ありがとうさよなら | XinU | D♭ Minor | 5 | 12A | 135 BPM | ||
| Dramatic | Yoko Kuzuya | D♭ Major | 2 | 3B | 144 BPM | ||
| i.e. | Emerald | D Minor | 4 | 7A | 138 BPM | ||
| 古墳へGO! | Rekishi | A Minor | 10 | 8A | 119 BPM | ||
| いつのまにか | XinU | D♭ Minor | 7 | 12A | 72 BPM | ||
| &I | YOHLU | E Major | 6 | 12B | 110 BPM | ||
| じゃあ、明日にすれば? | DANCE MAN | D♭ Major | 8 | 3B | 166 BPM | ||
| まるで天使さ | 離婚伝説 | C Major | 9 | 8B | 130 BPM | ||
| エイリアンズ | JiLL-Decoy association | E♭ Minor | 4 | 2A | 94 BPM | ||
| スパンコールの女 | 離婚伝説 | B Minor | 8 | 10A | 156 BPM | ||
| 愛が一層メロウ | 離婚伝説 | B Minor | 8 | 10A | 156 BPM | ||
| 足取り feat. 大石晴子 | s**t kingz, Haruko Oishi | A♭ Major | 3 | 4B | 72 BPM | ||
| GOOD NEWS | Skoop On Somebody | A♭ Major | 6 | 4B | 132 BPM | ||
| いつもどこでも | Tomita Lab., Yu Sakai | F Major | 7 | 7B | 168 BPM | ||
| 美しい時間 | Erika Nishi | A Major | 4 | 11B | 98 BPM | ||
| ロンリー・ハート | Chikuzen sato | E Minor | 9 | 9A | 99 BPM |